| Introduction: Across the Great Divide | p. xiii |
| American Wayfarers | |
| Far from Ohio: Dawn Powell | p. 3 |
| Father Babbitt's Flock | p. 7 |
| The Conversion of Tom Wolfe | p. 16 |
| Merce Cunningham: Pale Horse, Pale Rider | p. 20 |
| Notes Toward the Definition of Paul Taylor | p. 30 |
| Stephen Sondheim's Unsettled Scores | p. 35 |
| What Randolph Scott Knew | p. 47 |
| That Wascally Pwofessor | p. 55 |
| Louis Armstrong, Eminent Victorian | p. 58 |
| Bill Monroe and His Discontents | p. 64 |
| Citizen Sinatra | p. 68 |
| Midcultists | |
| Seven Hundred Pretty Good Books | p. 75 |
| Sentimental Journey | p. 91 |
| Norman Mailer: Forgotten but Not Gone | p. 95 |
| Real Cool Killers | p. 99 |
| Crosby Major, Crosby Minor | p. 102 |
| That Nice Elvis Boy | p. 112 |
| High Anxiety: Martha Graham | p. 116 |
| Choreography | p. 124 |
| How Good Was Leonard Bernstein? | p. 134 |
| Brand-Name Opera | p. 147 |
| The David Helfgott Show | p. 154 |
| Classical Barbie | p. 162 |
| Angelic Disorders | p. 167 |
| The Land of No Context | p. 171 |
| The Myth of "Classic" TV | p. 174 |
| Battle of the Brows | p. 178 |
| Good Night, David | p. 185 |
| Down to the Crossroads | |
| Inner Chambers | p. 193 |
| The Great American Composer | p. 201 |
| The Man Who Watched Bogart | p. 211 |
| Scoundrel Time | p. 218 |
| Cradle of Lies | p. 221 |
| Willa Cather: No Way to Treat a Lady | p. 231 |
| Another Sun Person Heard From | p. 235 |
| The Color of Jazz | p. 244 |
| (Over) praising Duke Ellington | p. 255 |
| Sins of the Fathers | p. 263 |
| The Anti-Victim: Arlene Croce | p. 267 |
| Post-Postmodern | |
| Life with Camille | p. 273 |
| Tolstoy's Contraption | p. 277 |
| Is That All There Is? | p. 281 |
| Beasts and Superbeasts | p. 285 |
| Whit Stillman, Class Clown | p. 289 |
| Pictures of Words: John Sayles | p. 294 |
| The Tilt-a-World of David Ives | p. 298 |
| The New New Music | p. 303 |
| Death of the Concert | p. 312 |
| Life Without Records | p. 320 |
| Three Roads to American Opera | p. 335 |
| After Mr. B | p. 343 |
| Going a Lot to the Mark Morris Dance Group | p. 354 |
| At Full Blast | p. 361 |
| Personals | |
| The Importance of Being Less Earnest | p. 371 |
| I've Got a Crush on You | p. 376 |
| Elegy for the Woodchopper | p. 380 |
| Close to Home | p. 394 |
| My Friend Nancy | p. 398 |
| About the Author | p. 409 |
| Index | p. 411 |
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