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"Arabian Nights" : A Companion - Robert Irwin

"Arabian Nights"

A Companion

By: Robert Irwin

Hardcover | 1 March 1994

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The book of The Arabian Nights has become a synonym for the fabulous and the exotic. Every child is familiar with the stories of Aladdin, Sinbad the Sailor and Ali Baba. Yet very few people, even specialists in oriental literature, have a clear idea of when the book was written or what exactly it is.
Far from being a batch of stories for children, The Arabian Nights contains hundreds of narratives of all kinds - fables, epics, erotica, debates, fairy tales, political allegories, mystical anecdotes and comedies. It is a labyrinth of stories and of stories within stories and of stories within stories within stories.
Widely held in contempt in the Middle East for its frivolity and occasional obscenity, the Nights has nevertheless had a major influence on European and American culture, to the extent that the story collection must be considered as a key work in Western literature. A full understanding of the writings of Voltaire, Dickens, Melville, Proost and Borges, or indeed of the origins of science fiction, is impossible without some familiarity with the stories of the Nights.
The Arabian Nights: A Companion guides the reader into this labyrinth of storytelling. It traces the development of the stories from prehistoric India and Pharaonic Egypt to modern times. It explores the history of the translation, and explains the ways in which its contents have been added to, plagiarized and imitated. Above all, the Companion uses the stories as a guide to the social history and the counter-culture of the medieval Near East and the world of the storyteller, the snake-charmer, the burglar, the sorcerer, the drug-addict, the treasure hunter and the adulterer.
Industry Reviews
Robert Irwin's brilliant exploration of The Arabian Nights, their place in our culture and their own, elucidates a series of discoveries as various and fantastic as any made in the book itself. He explores how the stories came to be collected; the transmission from Sanskrit, Persian, Greek and Coptic sources; the style and vocabulary; the influences that the tales have had on Western art and literature; the problem of 'orientalism'; and critical attitudes to the tales through the years. There the reader finds tales within tales, rooms within rooms of magical palaces: and each area investigated opens on others, often unexpected, continually absorbing. This is not one for the nursery bookshelf. The Nights must shift place accordingly. (Kirkus UK)

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