Why Do You Dance?

Artists in Exile

How Refugees from Twentieth-Century War and Revolution Transformed the American Performing Arts

Mao's Last Dancer

Leonard Bernstein

American Original

The Burlesque Handbook

George Balanchine

The Ballet Maker

Every Step You Take

A Memoir

Love Is In The Air

The Heartwarming Story of the Miraculous Merry Maker s

I'm Hosting as Fast as I Can!

Zen and the Art of Staying Sane in Hollywood

Deadly Angel

The Bizarre True Story of Alaska's Killer Stripper

The Collaborative Habit

Life Lessons for Working Together

Encore Performance

How One Woman's Passion Helped a Town Tap Into Happiness

The Ballet Companion

A Dancer's Guide to the Technique, Traditions, and Joys of Ballet

Everything I Learned About Life, I Learned in Dance Class

The Dance of Everyday Movement

A Developmental Framework for Whole-Body Integration

Why Do You Dance?

Etienne Decroux to the Theâtre de l'Ange Fou

A Legacy of Corporeal Mime

Pas De Trois

Performing Pain

An Actor's Guide to Creating Dynamic Depictions of Injury, Illness and Other Impediments

Sliding Worlds

Reflections on the Taipei Dance Circle

Bodily Imagination in Butoh Dance

Towards an Anthropology with Art for Creativity and Healing

Where Is the Bachata in Spiritual Care?

Decolonial Spiritual Care after Religion

Revitalizing Decolonization Through Dance Scholarship

Dancing the African Personality

Teaching What You Want to Learn

A Guidebook for Emerging and Established Dance and Movement Teachers

Aesthetics of Displacement

Mexican Artists in New York, 1920-1950