When two artists enter the 1943 Archibald Prize, a scandal erupts that grips not only the art world, but the nation. A poignant love story with shattering consequences, inspired by real-life events.
'Is that what you want to do? Peer into my soul and capture my flaws, for all to see?'
As World War II draws to a close, Australian society is still deeply conservative. Homosexuality is illegal and the scourge of Modernism is infecting Australian art.
When William Dobell paints a portrait of lover and fellow artist Joshua Smith, he is awarded Australia's most prestigious art prize. However, Dobell's celebration is cut short after a protest is lodged by his competitors, who claim the painting is a caricature. Both artist and sitter soon find themselves in the glare of the spotlight when a court case to determine the matter turns into a public spectacle.
Bill and Joshua's relationship is put under pressure and at risk of being exposed as they are caught in a world where they must choose between love and art- between acceptance and exile.
'An absorbing and intriguing story that will appeal to art and history lovers alike.' Belinda Alexandra
'Anderson's gripping, meticulously researched narrative dissects careers and relationships destroyed by boundless ambition and entitlement, by the shockingly conservative 1940s art scene in Sydney, in which a trial is held to determine the very meaning of a work of art. The Prize is an urgent and fascinating read for anybody who has ever been interested in the turbulent art world of 20th century Australia.' Melissa Ashley
About the Author
Kim E Anderson grew up in Sydney and has worked for a variety of book publishers and media organisations. She set up a new media division for HarperCollins in New York before returning to Australia where she joined PBL Online to set up Australia's number one online portal ninemsn.com.au. She joined the Nine Television Network followed by Southern Star Entertainment. In 2009 she founded a social media site for readers based in New York. An avid reader, she now lives in Sydney and is also a non-executive director of a number of ASX listed companies and a director of the Sax Institute.
