1. Introduction, Rachael Stoeltje
2. Let's Emulate the Sound of Colours! Reto Kromer
3. BFI Film Forever: Unlocking Film Heritage, Charles Fairall
4. New and Improved! Experiences from the Introduction of the National Library of Australia's SecondDigital Collection Management System, Mark Piva
5. Changing Gears: Fast-Lane Design for Accelerated Innovation in Memory Organisations, Johan Oomen, Maarten Brinkerink, Bourke Huurnink
6. Organized Metadata Management System Using Auto-Generated Post-Production Scrip, Nobu Yamashita
7. Canalizing the Maelstrom of Metadata: Extensions on the Hourglass Model, Brecht Declercq
8. Using Film Annotation Tool as Part of the Restoration Process, Franz Hoeller
9. The Restoration of The Thousand-Stitch Belt (1937), Masaki Daibo, Tomohiro Hasegawa, and Kazuki Miura
10. Migration of Archived Video Footage: Challenges and Solutions for Hardware, Software, and WorkflowIssues, Frank Pavuza
11. An Investigation into the Restoration of Wire Recordings in the 1950s, Nie Manying, Wang Xi, Zhang Shuxia, and Yan Jie
12. Findings from the Digitization of 78 RPM Discs, George Blood
13. Playback Methods for Phonogram Images on Paper, Patrick Feaster
14. Present and Future Applications of Optical Soundtrack Scan Technology, Gilles Barberis
15. Practical VisualAudio: A Long Journey to Tangible Results, Stefano S. Cavaglieri
16. Sound Reproduction of the First Speaking Films, Thierry Delannoy
17. Marginal Analysis of Digital Video Archives Restoration Project, Yang Haisheng and Jiang Huijun
18. Digital Video Damage in Archives: Detect, Repair and Prevent-Results from the DAVID Project, Peter Schallauer & Franz Hoeller
19. PREFORMA and the MediaConch Project: Open Source Tools for Open Standards, Erwin Verbruggen, Dave Rice, Bert Lemmens, Jerôme Martinez, Ashley Blewer, Emanuel Lorrain, Antonella Fresa, and Claudio Prandoni
20. From Tape To File: Solutions For A Data-Centric Migration Workf
