Chapter 1: Iraqi Memories: A Personal and Poetic Exploration of Homecomings, Departures and Arrivals from a Theatre Director Who Fled Iraq in 1987 and Returns Home Again - Niz Jabour
Chapter 2: On Stitches - Michael Balfour and Nina Woodrow
Chapter 3: Health Theatre in a Hmong Refugee Camp: Performance, Communication, and Culture - Dwight Conquergood
Chapter 4: Play Extract: Forged in Fire - A performance text created by Okello Kelo Sam, Laura Edmondson, and Robert Ajwang
Chapter 5: Narrative Theatre as an Interactive Community Approach to Mobilizing Collective Action in Northern Uganda - Yvonne Sliep, Kaethe Weingarten, and Andrew Gilbert
Chapter 6: Marketing Trauma and the Theatre of War in Northern Uganda - Laura Edmondson
Chapter 7: Encounters in the Aida Refugee Camp in Palestine: Travel Notes on Attending Alrowwad Theatre's Production of Handala (2011) - Rand T. Hazou
Chapter 8: Rape as War Strategy: A Drama from Croatia - Sanja Nik?evi?
Chapter 9: Far Away, So Close: Psychosocial and Theatre Activities with Serbian Refugees - Guglielmo Schininà
Chapter 10: Play Extract: Refugees - Zlatko Top?ic´ (Translated into English by Davor Dikli?)
Chapter 11: 'Politics Begins as Ethics': Levinasian Ethics and Australian Performance Concerning Refugees - Tom Burvill
Chapter 12: Refugee Performance: Encounters with Alterity - Michael Balfour
Chapter 13: Repeat Performance: Dancing DiDinga with the Lost Boys of Southern Sudan - Felecia Faye McMahon
Chapter 14: Theatre as a Healing Space: Ping Chong's Children of War - Yuko Kurahashi
Chapter 15: Drama and Citizenship Education: Tensions of Creativity, Content and Cash - Sarah Woodland and Rob Lachowicz
Chapter 16: Inclusive Democracy: A Consideration of Playback Theatre with Refugee and Asylum Seekers in Australia - Rea Dennis
Chapter 17: Hospitable Stages and Civil Listening: Being an Audience for Participatory Refugee Theatre - Alison Jeffers
