Performing Process

Introduction - Hetty Blades and Emma Meehan

Part 1: Philosophy of Process

Chapter 1: Atomos EChOs and the Process-ing of Dances - Stephanie Jordan and Anna Pakes

Chapter 2: Choreographic Knowledge and Aesthetic Empiricism - Hetty Blades

Part 2: Methods and Formats

Chapter 3: Enhancing Choreographic Objects: Traces, Texts and Tales of a Journey through Dance - Sarah Whatley

Chapter 4: Research as Co-Habitation: Experimental Composition across Theory and Practice - Erin Brannigan, Matthew Day and Lizzie Thomson

Chapter 5: Process as Performance or Variations of Swinging - Annette Arlander

Chapter 6: Crystallisations, Constellations and Sharings: Exploring Somatic Process with Sandra Reeve - Emma Meehan

Part 3: Documentation, Dissemination and Scores

Chapter 7: Exploring Creative Thought in Choreography Together: Process Documentation with the Australian Dance Theatre - Scott deLahunta, Jordan Beth Vincent, Elizabeth Old, Garry Stewart, James Leach and Catherine J. Stevens

Chapter 8: Architectural and Choreographic Diagrams as Processual Modes of Sharing Creative Practices - Ariadne Mikou

Chapter 9: Dancing on the Page/Writing on the Stage: Sharing Dance (and) Theatre Process Documents - The Drawings of Jan Fabre - Edith Cassiers

Chapter 10: Animating the Archive: Voguing, Sampling and Queering Tatsumi Hijikata - Sara Jansen

Part 4: Politics and Labour

Chapter 11: The 'Visible Choreographer': Trust and Power, Reviewing Choreography as a Social Practice - Kathinka Walter-Hoeg

Chapter 12: The Use of Uselessness - Claudia Kappenberg

Chapter 13: Resisting Explanation: The Politics of Audience Development and Possibilities of Form - Nicola Conibere

Contributors 

Index