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Non-Cinema : Global Digital Film-making and the Multitude - William Brown

Non-Cinema

Global Digital Film-making and the Multitude

By: William Brown

eText | 12 July 2018 | Edition Number 1

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Non-Cinema: Global Digital Film-making and the Multitude provides an original film-philosophy through which to understand low budget digital filmmaking from around the globe. It draws upon a wide range of western and non-western philosophers, physicists, theorists of 'Third Cinema,' and contemporary film theorists and film-philosophers in order to argue that the future of cinema lies at the margins, in the extreme, the overlooked and the under-funded - the sort that distributors, exhibitors and audiences would not consider to be cinema at all, hence "non-cinema."

Analysing numerous films, William Brown argues that contemporary low-budget digital cinema is also through its digital form a political cinema that suggests that we are not detached observers of the world, but entangled participants therewith. Non-Cinema constructs this argument by looking at work by established filmmakers like Jean-Luc Godard, Abbas Kiarostami, Jafar Panahi and Michael Winterbottom, as well as lesser known work from places as diverse as Asia, the Middle East, Europe, the Americas and Africa.

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Non-FictionArts & EntertainmentFilm, TV & RadioSpecific FilmsArt FormsNon-Graphic Art FormsDigital, Video & New Media ArtsPhilosophy

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