Advances a new, inclusive, and varied framework for understanding narrative as a product of interplay between authors, audiences, and texts.
In centering the interplay between authors and audiences as the foundation for the narrative act, the innovative and varied collection Narrative Co-Construction makes a resounding argument for the importance of making space for attending to world-building both within the world of the story and out in the world of the audience. Drawing from a range of theoretical orientations, contributors advance a framework that allows multiple points of entry to a given story and welcomes intersectional approaches, both in terms of the embodied identities of its critics and in terms of the theoretical tools they use to identify the methodologies currently active within narrative theory.
Analyzing texts by Jane Austen, Andre Gide, Mark Z. Danielewski, Ruth Ozeki, Ocean Vuong, and others, as well as interviews and digital (epi)texts, contributors put co-construction in dialogue with digital media studies, empirical studies, cognitive theories, literary history, literary geography, narrative criminology, and more. This inclusive approach puts different viewpoints, identities, and intellectual allegiances in conversation and asserts the value of making context and intersectionality explicit when examining narrative. By highlighting the author-audience collaboration at the heart of narrative vitality, Narrative Co-Construction deepens our understanding of narrative's world-building power and celebrates how fictions engage readers.
Contributors:
Helen H. Davis, Malcah Effron, Erika Gotfredson, Lindsay Holmgren, Isabell Klaiber, Margaret Love, Margarida McMurry, Rae Muhlstock, Virginia Pignagnoli, Lois Presser, Alexander Scherr, Siim Sorokin, Martha Swift, Anna Torvaldsen, Katherine Weese
