Nancy Spero

American artist Nancy Spero concentrates on the depiction of women: mythological women, movie women, tortured women.

Inspired by classical and modern sources, she collages and imprints her contemporary goddesses onto long, papyrus-like friezes that scroll around museum walls. Her subject matter, which has ranged from the writings of Artaud to the Vietnam War, mirrors her life; working in Paris in the cultural ferment of the 1960s, she moved to New York in the 1970s to co-establish the feminist gallery A.I.R. and to join with artists and critics such as Leon Golub, Robert Morris and Lucy R Lippard in forming the Art Workers' Coalition.

Since the 1980s she has attracted international acclaim, her exquisite works giving form to feminist issues and new critical discourses.

About the Author

Jon Bird is Professor of Art and Critical Theory at Middlesex University and a tutor in the Theory Department at the Jan van Eyck Acadamie, Maastricht. Jo Anna Isaak is the author of The Ruin of Representation in Modern Art and Texts (1986) and Feminism & Contemporary Art: The Revolutionary Power of Women's Laughter (1996), as well as numerous articles on contemporary art, feminism and critical theory. Sylvere Lotringer is professor of French literature and philosophy at Columbia University and General Editor of Semiotext(e). He frequently lectures on art, and his publications include Antonin Artaud (1989).