Emma

Emma Woodhouse, handsome, clever, and rich, with a comfortable home and happy disposition, seemed to unite some of the best blessings of existence; and had lived nearly twenty-one years in the world with very little to distress or vex her.

As in her other novels, Jane Austen in Emma explores the concerns and difficulties of genteel women living in Georgian-Regency England. She also creates a lively comedy of manners among her cast of unforgettable characters.

Before she began the novel, Austen wrote, "I am going to take a heroine whom no one but myself will much like." She introduces the eponymous heroine as "Emma Woodhouse, handsome, clever, and rich" but also rather spoiled, headstrong, and self-satisfied; she greatly overestimates her own matchmaking abilities; she is blind to the dangers of meddling in other people's lives; and her imagination and perceptions often lead her astray. Emma abounds in the droll character sketches at which Jane Austen excelled.

In addition to the well-intentional heroine and her hypochondriacal father, the village of Highbury during the Regency period is populated by an amusing circle of friends and family — kindhearted but tedious Miss Bates, a chatterbox spinster; ambitious Mr. Elton, a social-climbing parson; Frank Churchill, an enigmatic Romeo; Mr. Knightley, Emma's brother-in-law and the voice of her better nature; and a cluster of other finely drawn, unforgettable personalities.

Virginia Woolf called Jane Austen "the most perfect artist among women," and Emma Woodhouse is arguably her most perfect creation. Though Austen found her heroine to be a person whom "no one but myself will much like," Emma is her most cleverly woven, riotously comedic, and pleasing novel of manners.

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