Opera eTextbooks

Participatory Opera

Power and Agency in Post-Wagnerian Performance

The Republic of Love

Opera and Political Freedom

The Republic of Love

Opera and Political Freedom

Bellini

Composers Across Cultures

Orientalism and the Operatic World

French Vocal Literature

Repertoire in Context

Experiencing Carl Maria von Weber

A Listener's Companion

The Real Tales of Hoffmann

Origin, History, and Restoration of an Operatic Masterpiece

Operas in German: A Dictionary

Volumes 1 and 2

Tempesta

Stormy Music in the Eighteenth Century

So You Want to Sing Light Opera

A Guide for Performers

The Early Stuart Masque

Dance, Costume, and Music

Lutheranism, Anti-Judaism, and Bach's St. John Passion

With an Annotated Literal Translation of the Libretto

Inventing the Business of Opera

The Impresario and His World in Seventeenth Century Venice

Inside Bluebeard's Castle

Music and Drama in Bela Bartok's Opera

Rethinking Debussy

Living Opera

Finding an Ending

Reflections on Wagner's Ring

A Most Ingenious Paradox

The Art of Gilbert and Sullivan

Ancient Drama in Music for the Modern Stage

Music, Books and Theatre in Eighteenth-Century Exton

A Context for Handel's 'Comus'

London Opera Observed 1711-1844, Volume I

1711-1763

Essays on the Performance of Baroque Music

Opera and Chamber Music in France and England

Music of the Night

Religious Influences and Spiritual Resonances in Operetta and Musical Theatre

Succeeding Puccini

The Operatic Career of Italo Montemezzi, 1875-1952

Creating Opera Utilising Augmented Reality and Virtual Reality Technologies

Entangled Histories

Opera and Cultural Exchange between Vienna and the Italian States after Napoleon

London Opera Observed 1711-1844, Volume V

1821-1844

Vincenzo Bellini on Stage and Screen, 1935-2020

New Approaches to Sound, Music, and Media

The Music of Mzilikazi Khumalo

Language, Culture, and Song in South Africa

Liszt, Wagner and the Princess

Routledge Revivals

Biblical Families in Music

Conflict and Heterodoxy in Oratorios, 1670-1770

Visions of the Village

Ruralness, Identity, and Czech Opera

An Introduction to Tchaikovsky's Operas

Vox Eurydice

The Ascent of the Female Rescuer in German-Language Opera

Carmen in Diaspora

Adaptation, Race, and Opera's Most Famous Character

Early Music in the 21st Century

New Dramaturgies of Contemporary Opera

The Practitioners' Perspectives

The Dance and Opera Stage Manager's Toolkit

Protocols, Practical Considerations, and Templates

Monteverdi and his Contemporaries

Variorum Collected Studies

French Opera 1730-1830

Meaning and Media

Music Glocalization and the Composer

The Case of Franz Xaver Scharwenka (1850-1924)

Women in Nineteenth-Century Czech Musical Culture

Apostles of a Brighter Future

Valuing Nineteenth-Century Italian Opera Fantasias for Woodwind Instruments

Trash Music

The Choice of Odysseus

Homeric Ethics in Renaissance Epic and Opera

Screening the Operatic Stage

Television and Beyond

The Marques, the Divas, and the Castrati

Gaspar de Haro y Guzman and Opera in the Early Modern Spanish Orbit

Opera, a History of the Impossible Genre

Tradition, Community, and Nationhood in Richard Wagner's Die Meistersinger von Nurnberg

Rethinking Austrian and German Music

English and German Diction for Singers

A Comparative Approach

Opera

The Cambridge Companion to Wagner

The Cambridge Companion to Twentieth-Century Opera

The Cambridge Companion to Rossini

The Cambridge Companion to Gilbert and Sullivan

The Cambridge Companion to Eighteenth-Century Opera

The Cambridge Companion to Monteverdi

Gluck and His Operas

with an Account of Their Relation to Musical Art

Franco Alfano

Transcending Turandot

The Cambridge Companion to Verdi

Cambridge Companions to Music

Vincenzo Bellini

A Guide to Research

Opera

The Basics

Opera As Drama

Seventeen Famous Operas

Fortissimo

Backstage at the Opera with Sacred Monsters and Young Singers

Ticket to the Opera

Discovering and Exploring 100 Famous Works, History, Lore, and Singers, with Rec

Thirty Years' Musical Recollections

History is Our Mother: Three Libretti

Nixon in China, The Death of Klinghoffer, The Magic Flute

Prepare for Saints

Gertrude Stein, Virgil Thomson, and the Mainstreaming of American Modernism

More Stories of Famous Operas

Opera Coaching

Professional Techniques for the Repetiteur

Melodramatic Voices

Understanding Music Drama

The Cambridge Companion to Twentieth-Century Opera

Cambridge Companions to Music

Alice May

Gilbert & Sullivan's First Prima Donna

Music in the Georgian Novel

The Cambridge Companion to Gilbert and Sullivan

Cambridge Companions to Music

The Cambridge Companion to Opera Studies

Cambridge Companions to Music

The Cambridge Companion to French Music

Cambridge Companions to Music

Virgil Thomson: Music Chronicles 1940-1954 (LOA #258)

The Musical Scene / The Art of Judging Music / Music Right and Left / Music Reviewed / other writings

Readying Cavalli's Operas for the Stage

Manuscript, Edition, Production

Georges Bizet's Carmen

The Oxford Keynotes Series

Opera

A Research and Information Guide

Singing in Signs

New Semiotic Explorations of Opera

Studies in Seventeenth-Century Opera

The Ashgate Library of Essays in Opera Studies

The Cambridge Companion to Grand Opera

Cambridge Companions to Music

Modernism and the Cult of Mountains

Music, Opera, Cinema

The Cambridge Companion to Monteverdi

Cambridge Companions to Music

Handel

Routledge Revivals

Treacherous Bonds and Laughing Fire

Politics and Religion in Wagner's Ring

There's a Place For Us

The Musical Theatre Works of Leonard Bernstein

The Disciplines of Vocal Pedagogy

Towards an Holistic Approach

Opera From the Greek

Studies in the Poetics of Appropriation

Harrison Birtwistle

The Mask of Orpheus

The Politics of Verdi's Cantica

Royal Musical Association Monographs

Operatic Migrations

Transforming Works and Crossing Boundaries

Bringing Soprano Arias to Life

Opera's Second Death

Musical Theatre, Realism and Entertainment

Ashgate Interdisciplinary Studies in Opera

Nine Seventeenth-Century Organ Transcriptions from the Operas of Lully

French Baroque Opera: A Reader

Revised Edition