Dramatic Minds

Contents: Monika Fludernik: Consciousness in Drama: A Cognitive Approach - Eva Zettelmann: Drama and the Representation of Fictional Minds - Gabriella Mazzon: Strategic Communication of Pathos and Suffering in Verbal and Visual Medieval Culture - Elke Mettinger: «Now is this golden crown like a deep well» - Richard II from a Cognitive Point of View - Sabine Coelsch-Foisner: Othello: Personality and Personality Building in Shakespeare's Tragedy and Verdi's Opera - Michael Raab: The Macbeth Trap: Productions of Shakespeare's Play in England, Germany, Austria and Switzerland - Christa Knellwolf King: Une Tempete, Aime Cesaire's Subversion of the Imperial Scripts of Shakespeare's Tempest - Dieter Fuchs: The Script of the Body and the Soul in The Country-Wife and Tristram Shandy: the 'Cognitive Turn' from Restoration Drama to Sentimental Fiction - Caterina Grasl: The (Im)Possible Worlds of Joe Orton: A Cognitive Approach to What the Butler Saw - Bernhard Reitz: «I understand you not, my lord.» - Problems of Cognition and Perception in Tom Stoppard's Plays - Wolfgang J. Lippke: John Arden and Margaretta D'Arcy - A Cognitive Approach - Ewald Mengel: Pinter's One-Act Plays One for the Road, Mountain Language, and Party Time in the Light of Conceptual Blending Theory - Merle Tonnies: Between Authenticity and Objectification: Narrating the Self in Contemporary British Drama - Eckart Voigts: «Dennis is a Liar» - Mendacity in the Plays of Dennis Kelly - Christopher Innes: Breaking the Boundaries of Narrative: Post-Dramatic Story-Telling - Peter Zenzinger: Parapsychic Phenomena in Early Twentieth-Century American Drama.