When is vengeance justified? And to what extent?
Adolf, an artist, is having martial problems with his independent wife Tekla. Meanwhile, Gustav, his friend, attempts to get Adolf to stand up for himself and "be the man of the house." But behind all of this superficial talk is a psychological war being waged on three fronts, and each party will do nearly anything to get their desires met. The only question now, is who will be the first to fall....
Join me in experiencing the first of many plays by August Strindberg this season, where we'll be exposed to various forms of existentialism, interpersonal dynamics, and the struggle for power amidst some light-hearted satire by Guy Wetmore Carryl. But for now, please, sit back, relax, and enjoy, "The Creditors."
