The central argument of Chromophobia is that a chromophobic impulse—a fear of corruption or contamination through color—lurks within much Western cultural and intellectual thought. This is apparent in the many and varied attempts to purge color, either by making it the property of some "foreign body"—the oriental, the feminine, the infantile, the vulgar, or the pathological—or by relegating it to the realm of the superficial, the supplementary, the inessential, or the cosmetic. Chromophobia has been a cultural phenomenon since ancient Greek times; this book is concerned with forms of resistance to it. Writers have tended to look no further than the end of the 19th century.
David Batchelor seeks to go beyond the limits of earlier studies, analyzing the motivations behind chromophobia and considering the work of writers and artists who have been prepared to look at color as a positive value. Exploring a wide range of imagery including Melville's "Great White Whale", Huxley's "Reflections on Mescaline", and Le Corbusier's "Journey to the East", Batchelor also discusses the use of color in Pop, Minimal, and more recent art.
This brand-new audio edition is expressively narrated by Peter Coates. All charts referenced in the text can be found in the supplemental PDF.
Cover design credits: David Batchelor
Neo-Neo-Concreto 09
2019
concrete and acrylic
38 x 36 x 5cm
photo: Lucy Dawkins
Courtesy the artist and Ingleby Gallery, Edinburgh
©2000 David Batchelor. Produced and published by Echo Point Books & Media, an independent bookseller in Brattleboro, Vermont.
