As a registrar at an academic museum, I rely on Basic Condition Reporting as a vital resource for training interns and students in the museums studies program. The revised fifth edition continues to provide the core terms and procedures needed for properly condition reporting objects of all types, while also addressing the various uses for condition reports and the ever-changing approaches to conducting the reports in the digital world. Basic Condition Reporting is a must-have for both emerging and seasoned museum collections professionals.
--Tricia Miller, head registrar, Georgia Museum of Art, University of Georgia
Basic Condition Reporting ought to be a staple of any museum collection professional's library. The fifth edition, which includes new guidance on digital condition reporting, brings the world of condition reporting up to speed with the realities of a post-pandemic society.
--Austin J. Bell, Curator of Collections, Marco Island Historical Society
The breadth of information included in Basic Condition Reporting: A Handbook, 5th Edition is so complete that every collection-care professional will be able to find the terminology best suited to condition any object or artwork. In my fourteen years as Registrar, I've habitually used this handbook and will continue to do so with the expanded 5th edition.
--Caitlin Podas, registrar, Mingei International Museum, San Diego
This synergistic collaboration of professionals with specializations in a variety of artifact types guides readers to document condition thoroughly with useful methods and terminology. The value of this manual extends well beyond condition reporting; it also addresses artifact care and cataloging and serves as an excellent introduction to working with collections.
--Adrienne Berney, Coordinator for the Federation of North Carolina Historical Societies
This updated and expanded edition of the well-respected standard handbook for condition reporting includes new chapters on digital condition reporting, wood, and taxidermy, along with detailed definitions, updated references and clear guidelines. This is an invaluable resource that every registrar, collection manager, and curator should have at hand.
--John E. Simmons, writer and consultant, Museologica; associate curator of collections, Earth and Mineral Sciences Museum & Art Gallery, Penn State University