Shanghai Modern

1919-1945

By: Jo-Anne Birnie Danzker (Editor), Ken Lum (Editor), Zheng Shengtian (Editor)

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Hardcover | 1 December 2004

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Shanghai Modern documents this vigorous cultural exchange between China and the West. Essays by authors of international renown shed new light on the emergence of the Modern in China. The spectrum of Shanghai Modern is revealed in full-colour reproductions of early masterworks of Chinese modernism, some published for the first time in the West.

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Non-Fiction Politics & Government International Relations History Regional & National History Asian History Arts & Entertainment History of Art & Design Styles Art Styles Not Defined by Date Oriental Art Art from 1900 to Current Society & Culture

Cultural Studies Art Treatments & Subjects Exhibition Catalogues & Specific Collections

Congratulations on the exhibition	p. 6
Preface	p. 7
Preface	p. 8
Shanghai modern	p. 18
The 'misreading' of life	p. 72
Cross-cultural dialogue and artistic innovation : Teng Baiye and Mark Tobey	p. 84
Sino-German artistic exchange : its cultural and psychological contexts	p. 104
Contemporary Chinese painting : on the exhibition at the Prussian Academy of the Arts, Berlin (1934)	p. 112
Modern Chinese painting in London, 1935	p. 118
Huang Binhong and Pan Tianshou	p. 126
Composite pictures and Chinese art (1942)	p. 154
Waves lashed the bund from the West : Shanghai's art scene in the 1930s	p. 174
Early 20th-century women painters in Shanghai	p. 200
Aesthetic education in republican China : a convergence of ideals	p. 216
The Storm Society Manifesto (October 1932)	p. 234
A galaxy of the Storm Society (1 October, 1935)	p. 236
The Storm Society	p. 242
Reminiscences of Pang Xunqin (1946)	p. 248
My memories : visit to Berlin	p. 254
The modernist woodcut movement in 1930s China	p. 262
Written in the deep of the night : on Kathe Kollwitz (7 April 1936)	p. 290
A defense of 'picture books' (1932)	p. 292
Films and Shanghai	p. 298
A tour of a German film studio (1935)	p. 308
Shanghai fashion in the 1930s	p. 318
Shanghai modern and the art of the 21st century	p. 350
A letter to China's artistic community (1927)	p. 371
Manifesto of the Art Movement Society (1929)	p. 373
I am bewildered (1929)	p. 373
I am "bewildered" too - a letter to Xu Beihong (1929)	p. 374
The 1934 exhibition Chinesische Malerei der Gegenwart (Chinese contemporary painting), Hamburg	p. 377
Promoting Chinese art (1935)	p. 378
Table of Contents provided by Blackwell. All Rights Reserved.

Shanghai Modern

1919-1945

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