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Young And Innocent? : The Cinema in Britain, 1896-1930 - Prof. Andrew Higson

Young And Innocent?

The Cinema in Britain, 1896-1930

By: Prof. Andrew Higson (Editor)

Paperback | 2 March 2002

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This book brings together the study of silent cinema and the study of British cinema, both of which have seen some of the most exciting developments in Film Studies in recent years. The result is a comprehensive survey of one of the most important periods of film history.Most of the acknowledged experts on this period are represented, joined by several new voices. Together they chart the development of cinema in Britain from its beginnings in the 1890s to the conversion to sound in the late 1920s. From these accounts the youthful British cinema emerges as far from innocent. On the contrary, it was a fascinatingly complex field of cultural and industrial practices. The book also includes guides to bibliographical and archival sources and an extensive bibliography.Topics covered include: -- The cinema of attractions in the early period-- The emergence of the narrative film-- The series and serials of the 1910s and 1920s-- The enormous range of actuality films, including early shorts, cinemagazines, interest films, travelogues and travel films-- The mainstream feature film of the late 1910s and 1920s-- The roles played by key producers, directors, scriptwriters and stars, ranging from Cecil Hepworth to Ivor Novello and from H.G. Wells to Alfred Hitchcock-- The changing relationships between film and literature, theatre and visual culture-- The ways in which audiences engaged with films and the patterns of exhibition and reception-- The contribution of live music to the film experience-- British cinema's relations with American cinema and the Empire market-- The emergence of an intellectual film culture in the 1920s
Industry Reviews


"Two themes in particular stand out, which draw on the interdisciplinary pattern of much current early media work. One is to locate moving pictures in a wider fabric of popular culture . . . The other new and welcome trend apparent in this collection is a move away from directors and even from individual films towards a consideration of industrial issues . . . [this collection] testifies to a lively culture of research and discovery around early British cinema which is a welcome change from the self-flagellation of earlier generations." (Sight and Sound, June 2002) "This book is both necessary, and important . . . A collection of introductory essays such as this has not before been undertaken, and it provides an invaluable reference point to students of this neglected period . . . The greatest value in the book lies in its final section, in which Steve Bottomore and Jon Burrows give a comprehensive overview of the resources available to those interested in the period . . . The silent period in Britain can be daunting, given its lack of secondary source material, but the two pieces between them provide an opening into the period to any interested party, and should be recommended reading on all film history courses. These are backed up by an impressive bibliography which is well organised, thorough and completely indispensable. There is no doubt that this is a book which every film student should have on his or her shelf . . . What comes across most is the variety of approaches available and the wealth of work yet to be done, as well as the community and the enthusiasm of the academics, archivists, students and historians who are undertaking it. The message is clear; grab a notepad and join in. There is much to do. Essential." (Viewfinder, No. 47, June 2002) "The Exeter Studies in Film History are a valuable and growing collection of works on the development of cinema on both sides of the Atlantic... The volume includes a fine bibliography and two valuable essay-guides to research materials and procedures." (Journal of Transatlantic Studies, Vol. 2, No. 1, 2004)


Other Editions and Formats

Hardcover

Published: 2nd March 2002

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