
You Can't Make This Stuff Up
The Complete Guide to Writing Creative Nonfiction--from Memoir to Literary Journalism and Everything in Between
By: Lee Gutkind
Paperback | 14 August 2012 | Edition Number 1
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288 Pages
2 x 15.5 x 22.8
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| Acknowledgments | p. xiii |
| Introduction: How to Read This Book | p. xv |
| What Is Creative Nonfiction? | |
| The Birth of the Godfather | p. 3 |
| The Definition Debate | p. 5 |
| What Is It-Or Isn't It? | p. 6 |
| Who Coined the Term "Creative Nonfiction"? | p. 7 |
| The Fastest-Growing Genre | p. 9 |
| Subgenres | p. 10 |
| Crossing Genres | p. 11 |
| Poetry Is (Often) Creative Nonfiction | p. 11 |
| Flexibility, Freedom, and the Larger Truth | p. 12 |
| Truth or… | p. 14 |
| Hall of Fame of Fakers | p. 15 |
| Truth and Fact | p. 18 |
| Fact Checking | p. 20 |
| Fact Checking Sedaris | p. 21 |
| Have I Totally D'Agata-ed This? | p. 22 |
| Credibility-and Correctness | p. 26 |
| What About the BOTS? | p. 27 |
| Interesting Reading | p. 29 |
| Who Will Take Charge? | p. 31 |
| The Creative Nonfiction Police | p. 32 |
| The Objectivity Debate | p. 33 |
| Composites | p. 34 |
| Compression | p. 35 |
| Manufacturing Dialogue | p. 36 |
| Name Changing | p. 37 |
| Libel, Defamation-and Writing About the Dead | p. 38 |
| Interesting but Not So Amusing Fudging | p. 39 |
| Share Your Work with Your Subjects | p. 40 |
| Covering Yourself | p. 41 |
| Final Thoughts About Ethical, Legal, and Moral Boundaries | p. 41 |
| Schedules | p. 44 |
| Slave to Routine | p. 45 |
| Passion and Practice | p. 47 |
| The Rope Test | p. 48 |
| Fall Down Nine Times-Get Up Ten | p. 51 |
| A Final Word About Schedules | p. 54 |
| The Creative Nonfiction Pendulum: From Personal to Public | p. 55 |
| The Personal: That Kiss That Caused the Craze | p. 55 |
| The Memoir Craze | p. 57 |
| Between Memoir and Autobiography | p. 58 |
| Don't Get Tangled in Terminology | p. 59 |
| The Public or "Big Ideaö | p. 61 |
| The Universal Chord: When Personal and Public Come Together | p. 62 |
| Widening the Pendulum's Swing | p. 65 |
| The Creative Nonfiction Way of Life | p. 69 |
| From Dream to Reality | p. 71 |
| Single-Subject Books | p. 72 |
| Through Immersion, a Writer Can See the Story As It Happens | p. 72 |
| Futures or "Idea" Book | p. 76 |
| Selecting Subjects to Write About | p. 78 |
| Parachuting | p. 79 |
| What Immersion Is Really About: People | p. 80 |
| More About Immersion | p. 80 |
| Literary Sports Note | p. 81 |
| The Bitter Better End | p. 82 |
| The Tribulations of the Writer at Work | p. 83 |
| Anxiety | p. 83 |
| Should You Be Part of the Action? | p. 85 |
| Documenting the Immersion | p. 86 |
| Shirt Boards and Fancy Duds | p. 88 |
| It's the Story, Stupid | p. 89 |
| Thomas and Linda and the Power of the Story | p. 90 |
| The Story Behind the Story | p. 91 |
| It's the Information, Stupid! | p. 94 |
| And Finally, a Gentle Reminder | p. 96 |
| The Writing and Revising and Writing and Revising Part: How to Do It | |
| Introduction to Part II | p. 99 |
| How to Read | p. 100 |
| Reading Over Your Reader's Shoulder | p. 101 |
| I Remember Mama | p. 102 |
| Reading with a Writer's Eye | p. 104 |
| The Building Blocks | p. 105 |
| The Yellow (Or Highlighting) Test | p. 107 |
| A Famous and Memorable Scene | p. 109 |
| To Highlight or Not to Highlight: That is the Question | p. 114 |
| Something Always Happens | p. 114 |
| Endings | p. 119 |
| Dialogue and Description | p. 122 |
| Intimate Details | p. 124 |
| A Famous Intimate Detail | p. 128 |
| More Examples of Intimate or Specific Detail | p. 129 |
| An Important Note About Interviewing | p. 130 |
| Does Absence of the Writer Mean Absence of Detail-Or a Weakness in the Story? | p. 131 |
| Inner Point of View | p. 135 |
| The Creative Nonfiction Dance | p. 138 |
| Reminder: Writing Is Revision | p. 139 |
| Now Let's Dance | p. 140 |
| "Difficult Decisionsö by Lee Gutkind | p. 140 |
| Follow-up Commentary | p. 149 |
| "Three Spheresö by Lauren Slater | p. 151 |
| Highlighting "Three Spheres" and "Yellow Taxi" | p. 167 |
| "Yellow Taxi," by Eve Joseph | p. 169 |
| Reflection | p. 183 |
| Dealing with the Dead | p. 185 |
| Recreation or "Reconstruction"? | p. 186 |
| How Did It Happen? | p. 200 |
| The Shocking Truth About the New York Times | p. 201 |
| The Narrative Line and the Hook | p. 204 |
| "Fixing Nemo" | p. 206 |
| Plunging the Reader into the Story | p. 215 |
| Background Means What It Says: In the Back | p. 215 |
| The Story Determines the Research Information-The Facts-You Gather and Provide | p. 216 |
| Framing: The Second Part of Structure (After Scenes) | p. 218 |
| As Part of the Frame, There's Something at Stake | p. 220 |
| Altering Chronology | p. 220 |
| Parallel Narratives | p. 222 |
| Don't Make Promises You Can't Keep | p. 223 |
| Main Point of Focus | p. 226 |
| Frame Reflects Focus | p. 227 |
| Stories (Scenes) Are Elastic | p. 227 |
| First Lede/Real Lead: A Creative Nonfiction Experiment Precipitated by Ernest Hemingway and F. Scott Fitzgerald | p. 230 |
| Clarity and Question Marks | p. 232 |
| The Drawer Phase | p. 234 |
| Remember That Writing Is Revision | p. 234 |
| Now That I Know Everything I Ever Wanted to Know About Creative Nonfiction, What Happens Next? | p. 236 |
| MFA in the USA | p. 236 |
| Publish or Perish | p. 241 |
| Don't Worry, Be Happy-and Smart | p. 242 |
| A Final Word: Read this Book Again | p. 245 |
| Appendix: Then and Now: Great (And Not So Great) Moments in Creative Nonfiction, 1993-2010 | p. 247 |
| Bibliography | p. 255 |
| Permissions | p. 260 |
| Index | p. 261 |
| Table of Contents provided by Ingram. All Rights Reserved. |
ISBN: 9780738215549
ISBN-10: 0738215546
Published: 14th August 2012
Format: Paperback
Language: English
Number of Pages: 288
Audience: General Adult
Publisher: Little Brown
Country of Publication: US
Edition Number: 1
Dimensions (cm): 2 x 15.5 x 22.8
Weight (kg): 0.37
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- Non-FictionLanguage & LinguisticsReference, Dictionaries & GuidesWriting & Editing Guides
- Non-FictionLanguage & LinguisticsReference, Dictionaries & GuidesCreative Writing & Creative Writing Guides
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- Non-FictionReference, Information & Interdisciplinary SubjectsEncyclopaedias & Reference Works
















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