
Writing Characters Who'll Keep Readers Captivated
Nail Your Novel
By: Roz Morris
Paperback | 25 January 2016
At a Glance
204 Pages
20.32 x 12.7 x 1.19
Paperback
$23.39
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How do you create characters who keep readers hooked? How do you write the opposite sex? Teenagers? Believable relationships? Historical characters? Enigmatic characters? Plausible antagonists and chilling villains? How do you understand a character whose life is totally unlike your own? How do you write characters for dystopias? How do you make dialogue sing? When can you let the reader intuit what the characters are feeling and when should you spell it out?
Roz Morris is a bestselling ghostwriter and book doctor, and a literary author in her own right. Her titles have sold more than 4 million copies worldwide. She has mined 20 years' worth of writing, editing and critiquing experience to create this book. It contains all the pitfalls and sticky points for writers, laid out as a set of discussions that are easy to dip into. And it wouldn't be a Nail Your Novel book without a good dose of games, exercises and questionnaires to help you populate a novel from scratch.
Whether you write a straightforward story-based genre or literary fiction, this book will show you how to create people who enthrall readers - and make you want to tell stories.
Industry Reviews
'Roz Morris follows up her bravura Nail Your Novel with this insightful guide into crafting memorable characters. She walks authors through the basics of protagonists, antagonists, and supporting characters. She touches on dialogue, showing vs. telling, motive and conflict, and character relationships. My favorite sections were those on the ever-popular "character interview/questionnaire" (in which Morris offers some unique suggestions for probing the character's mind) and the appendix (in which she addresses the "Top 10 Novice Mistakes With Characters). This is a great foundational tool for any writer wanting to deepen his presentation of character.' KM Weiland, tutor at Writer's Digest
'Inspiring and brilliant for any author. It made me rethink my approach to characters and helped me turn a scene I'd written into a much sharper piece. Roz is the first person to help me understand 'show, not tell' in a way that doesn't leave me scratching my head in puzzlement. I finally feel like that concept is sinking in and I haven't even finished the book yet. I love the way she writes. Thank you, Roz, for this little gem. I hope she continues the series.' Jenny Grey
'I'd heard about Roz's book so decided to invest. I'm so glad I did. In concise language she explains all aspects of building a character. I can now see which parts I'm getting right and how to fix the parts I'm getting wrong. I read it through quickly the first time. It's a page turner! Now I'm going through it section by section to help the info sink in. After that, I have no doubt I'll be dipping into it on a regular basis. I highly recommend it.' Miss A Huskisson
'A new book by Roz Morris is always an event to be celebrated. Whether you're a novice or you've been writing all your life, there's always something to be gleaned from her gentle, humorous, yet razor-sharp tutorship. If you want to up your game, writing-wise, buy it now!' Miss Chinaski
'Learning from masterworks such as Fahrenheit 451, Jane Eyre, Lolita, and the more recently celebrated Twilight and Hunger Games series, you'll be shown how to craft powerful protagonists, vivid villains and memorable minor characters. It covers all the essentials, such as viewpoint, narrative voice, catalyst characters (think James Bond, Sherlock Holmes and Doctor Who) and those trouble-makers: antagonists. Morris's colloquial style frees the writer from being tangled up in technicalities.' Trevor Veale
'Another gem of a book from Roz. Easy to read and broken down into manageable sections, it helps you to create believable characters who won't just be names on the paper. She shows you how to create believable dialogue and provides a highly useful toolbox to equip you with all you need to know to engage your readers and make them eager to read on. She also helps you to think about the secondary characters. A fabulous book, written in an easy to understand language that doesn't make you clutch your forehead and reconsider the crochet. An essential reference for the would-be writer, I would recommend it without hesitation. Make sure you get the first book, too.' Sharon Booth
'I'm reading it for the second time now, and it only gets better.' Mars Dorian
'I have read many books on writing and I would say this contains some of the best advice. Every aspect of characterisation is covered, supported with examples. There is an excellent chapter on the mistakes that novice writers make. The book concludes with writing exercises, some of which are original in the extreme. I certainly intend to try many of them out. If you want to lift your characters out of the humdrum and give your novel zing and tension, this is the book for you.' Wen
1 Most commonly repeated advice: show not tell Remind yourself to switch to showing Resist the urge to steer the reader
2 Why plots happen â' motivation, need and conflict Dramatic need Conflict Don't forget supporting characters
3 Fictional people are individuals What the writer intended and what came out on the page Character's dramatic need is glossed over in generalisations No internal life â' empty or enigmatic? Writer feels out of their depth with that character or situation Males, females and culture Characters have no life outside the plot Too much trivial detail Describing characters â' too much physical detail Please, not like a famous person Looking in the mirror: awkward reasons for characters to ponder their appearance A carnival of odd misfits â' tics and physical characteristics are not character Teenagers What do they hide, even if they are 'normal'? Rounded characters and the double life of Isobel Narrator has stranglehold so characters never come alive on their own Characters too similar to each other Should you change to a new viewpoint character once the novel is well under way? Who should your viewpoint character be? Characters who are only symbols Dystopia problem: characters are dummies to show off the world Too many characters â' problems with a huge cast Send in the clowns â' comic characters are jarringly obvious Passive central characters First-person narrator has no character of their own Likability â' and what makes characters interesting Recognition and the universal â' keep asking 'why'
4 Change Catalyst characters Characters who resist change
5 Villains and antagonists: what goes wrong with wrong 'uns Writer puts the bad character in solitary confinement Narrator intrudes to tell us who will turn nasty: foreshadowing the bad deeds Bad to the bone â' only negatives Weak motivation for villainy The nebulous enemy: the trouble with battling 'society'
6 It's all relationships: romances and significant others Rules of attraction: relationships that fail to grab the reader Don't forget to show the moment it started Romantic dialogue and discomfort with moments of intense emotion Leaning on strong words instead of engaging with the characters Where characters splurge their feelings Startling confessions erupt out of nowhere Sexual tension for bashful writers Too coy about seductions Lexicon of love: how to describe sex Special friendships need glue Special friendships must come to life Relationships have their own landscape and language Happy families Relationships that end their journey too soon
7 Supporting characters and walk-ons What secondary characters talk about Secondary characters need less screen time: use summary Supporting or peripheral characters must contribute to the story Walk-on characters in too much detail
8 Dialogue: more than a transcript of speech No dialogue Beyond talking Remember we see dialogue as well as hear it Internal reactions too vague Characters talk about distressing things without getting upset Author interrupts too much and slows the pace Look for inequalities What else might be happening under the words? Subtext Long speeches instead of conversations Be informal Dialogue used as information dump: exposition Desperately avoiding the info-dump Characters talk about events the reader has already seen Most of the plot presented in dialogue Thinking out loud, in quotes Too may social niceties and nothing interesting What vocabulary does your character use? Going yokel Characters all sound the same â' funny voices part 2 All characters have the same sense of humour Bossy dialogue tags
9 Character design: questionnaires and other development games Appendix: Top 10 novice mistakes with characters Index
ISBN: 9781909905962
ISBN-10: 1909905968
Series: Nail Your Novel
Published: 25th January 2016
Format: Paperback
Language: English
Number of Pages: 204
Audience: General Adult
Publisher: Roz Morris
Country of Publication: GB
Dimensions (cm): 20.32 x 12.7 x 1.19
Weight (kg): 0.23
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