The standard analytical category of "national cinema" has increasingly been called into question by the category of the "transnational." This anthology will examine the premises and consequences of the coexistence of these two categories and the parameters of historiographical approaches that cross the borders of nation states. The three sections of the book will cover the geopolitical imaginary, transnational cinematic institutions, and the uneven flow of words and images. Contributors represent a broad array of nationalities and include many of the leading scholars in the field.
"This book is a timely and important contribution toward updating film studies in accordance with the changed context in which the discipline now finds itself." --Transnational Cinemas
"The editors of World Cinemas, Transnational Perspectives might well have added `Cinema in the Age of Transnational Reproduction' as the subtitle of their engaging volume. The contributors parse and elucidate the proliferating typology of emergent national, international, transnational, world, multinational, postnational, paranational, and global cinema practices and theories worldwide. They take into consideration the changing sociopolitical, financial, industrial, technological, and demographic changes that underpin these cinematic developments. The result is a fascinating textual and contextual reader on our current moment of globalization."--Hamid Naficy, Northwestern University, author of An Accented Cinema: Exilic and Diasporic Filmmaking.
"This ambitious and intellectually engaging volume succeeds in its aim to rethink the geopolitical imaginary of film studies as a discipline, by reconsidering film historiography beyond the nation-state and focusing instead on a variety of transnational formations. Essays by leading scholars provide not only new theoretical and methodological approaches, but also illuminating case studies and discussions of the comparative process itself, deepening and expanding our understanding of world cinemas in a revised frame of film history. World Cinemas, Transnational Perspectives represents the very best in film scholarship today."--Patrice Petro, University of Wisconsin-Milwaukee, author of Aftershocks of the New: Feminism and Film History
"This splendid book investigates the ways in which cinema operates internationally and interconnectedly. Durovicovi and Newman (both, Univ. of Iowa) argue that in the current era of globalization, studying particular national cinemas, particular genres, or narrowly focused theories in isolation no longer makes sense. The volume includes essays on international financing and production, worldwide distribution, audience reception, the interpretation of genres and styles (think kung-fu goes to Bollywood--or to Bulawayo), and the hybridization of theory. This reviewer especially admired Paul Willeman's "Fantasy in Action." Many of these essays open new avenues of investigation that will keep scholars busy for a generation. Summing up: Highly recommended. Lower-division undergraduates through faculty and professionals. --W.A. Vincent, Michigan State University
Section 1: The Geopolitical Imaginary of Cinema Studies [essays, 20-25 pages] Kathleen Newman International Film History, Transnational Film Theory Toby Miller Global Hollywood: A New International Division of Cultural Labor, from Production to Viewing Bhaskar Sarkar The Outposts of Globalization Douglas Gomery Hollywood's Trade Association: the Motion Picture Association of America Dudley Andrew Roiling Waves, Stagnant Seas: Awash in World Cinema Mette Hjort A Model for Meaningful Experimental Transnationalism: Remarks on Individual Agency, Gift Culture, and Counter-globalization Ismail Xavier Intertextuality in Our Times Section 2: The Uneven Flow of Words and Images [essays, 20-25 pages] Natasa Durovicova On the Uneven Flow of Words and Images: Cinematic Translatio as Cognitive Mapping Marvin D'Lugo Aural Identity, Genealogies of Sound Technologies, and Hispanic Transnationality on Screen João Luiz Vieira The Transnational Other: Street Kids in Contemporary Cinema Hamid Naficy Interstitial/Transnational Production Mode and Iranian National Cinema Paul Willemen Fantasy in Action Yingjin Zhang Rethinking Chinese Cinemas from a Transnational Perspective Fredric Jameson Globalization, Representation and Hybridization Section 3: Key Concepts, Current Debates [essays, 5-7 pages] Miriam Hansen Modernism on a Global Scale: Cinema as a Vernacular Practice William van der Heide 'So Many Cinemas': Writing Masala Film Histories Olivier Barlet New Paradoxes of Africa's Cinemas Michael Raine 'National Films' and 'Films Without Nationality': Vernacularization as Cultural Specificity in Japanese Cinema Philip Rosen Nation, Inter-Nation, Anti-Nation Frances Gateward Hurray for Hallyuwood: Korean Film and Transnational Youth Cultures Jonathan Rosenbaum From Playtime to The World: The Expansion and Depletion of Space Within Global Economies
Series: Afi Film Readers
Tertiary; University or College
Number Of Pages: 366
Published: 31st August 2009
Publisher: Taylor & Francis Ltd
Country of Publication: GB
Dimensions (cm): 22.23 x 14.61
Weight (kg): 0.52
Edition Number: 1