In Whiteness Visible, Valerie Babb investigates the history, values, rituals, and shared consciousness that created whiteness in the United States, as well as the representations that sustain its influence on both cultural and literary vision. Babb formulates an understanding of whiteness by tracing its literary and cultural evolution, enlisting diverse sources from, among others, the Han dynasty, Aristotle's "Politica," and excerpts from the recollections of white indentured servants.
Babb's textual analysis begins by surveying the construction of whiteness in early American writings and material culture, and continues through literature of the nineteenth century, surveying whiteness in texts commonly acknowledged as standards in U.S. literature--"The Last of the Mohicans" and "Moby Dick." She then investigates representations of whiteness in a variety of late- nineteenth and early-twentieth century cultural creations, among them immigrant autobiographies, World's Fair expositions, and etiquette books. Babb convincingly illustrates the ways in which a variety of cultural creations combine to help shape the concept of universal whiteness.
Whiteness Visible boldly claims that we can only understand the full significance of race and the ways in which it influences cultural understanding and cultural creation in the United States when we interrogate whiteness and make it visible.
"Combining legal expertise with the scrupulous analysis of a mass of evidence, Cigar and Williams were the first to make a compelling case for the indictment of Slobodan Milosevic as a war criminal. I believe this work is one of the most important public ions to have appeared in the aftermath of the Bosnian war. It lays down a challenge to the international community that must not go unanswered."
-Noel Malcolm, author of "Bosnia: A Short History"