"In her poignant prose, those who suffer are honoured and memorialized."
Patricia Dawn Robertson, Quill & Quire
"The breadth of the insight and language here is unsurprising."
Brian Lynch, The Georgia Straight
"Sarah de Leeuw's Where It Hurts is thoughtful and brave, arresting and powerful. The worlds she details in these pages are little-seen, galvanic, and occasionally bleak, yet the reading experience is a transformative one."
Craig Davidson, author of Cataract City and Precious Cargo
"Sarah de Leeuw knows that a title is a promise and she delivers. Where it Hurts promises to be painful and honest without being tragic. These are not traditional essays, they are power-driven narratives documenting the lives of many women. Accusing the world of negligence, viciousness without articulating the accusation, it is there, under every black inked word and every laugh. We are not simply a reader but rather something of an accomplice. As we read, we document how many times we have told such a story and laughed. We don't feel guilty, but we do want some kind of epiphany and transformation by the time we see the end of the collection. Powerful strategy and a great read."
Lee Maracle, author of Celia's Song and Memory Serves
"Sarah de Leeuw spins the grit of life -- trauma, missing women, the decay of a relationship -- into moving, beautiful prose. Where it Hurts illuminates the tragedies, triumphs and poetry of marginalized northern landscapes."
Emily Urquhart, author of Beyond the Pale
"Stark, unsentimental, but tender-hearted nonetheless: Sarah de Leeuw's essays prove that there is beauty in hardship, and moments of real warmth in a place known to be so cold."
D.W. Wilson, author of Ballistics and Once You Break a Knuckle
"Where It Hurts is a mappa mundi, a map of geographical and spiritual space, and Sarah de Leeuw is an extraordinary cartographer, boldly taking the reader into known and unknown territory."
Theresa Kishkan, author of Winter Wren and Mnemonic: A Book of Trees
"De Leeuw speaks passionately for the marginalized, whether it's a First Nations woman forced to hitchhike the Highway of Tears, a homeless man watching his hotel room burn up, or a 15-year-old girl working a truck stop in an asbestos mining town. She draws us into the fabric of towns the guidebooks don't recommend, showing us ourselves woven into it, linking a failing marriage to a toxic landfill. Or the serial killer Clifford Olson and his aftermath to the explosion of Mount St. Helens. We feel how much it matters that our threads cross."
Meredith Quartermain, author of I, Bartleby and Rupert's Land