Why do we have such extraordinarily powerful responses toward the images and pictures we see in everyday life? Why do we behave as if pictures were alive, possessing the power to influence us, to demand things from us, to persuade us, seduce us, or even lead us astray?
According to W. J. T. Mitchell, we need to reckon with images not just as inert objects that convey meaning but as animated beings with desires, needs, appetites, demands, and drives of their own. What Do Pictures Want? explores this idea and highlights Mitchell's innovative and profoundly influential thinking on picture theory and the lives and loves of images. Ranging across the visual arts, literature, and mass media, Mitchell applies characteristically brilliant and wry analyses to Byzantine icons and cyberpunk films, racial stereotypes and public monuments, ancient idols and modern clones, offensive images and found objects, American photography and aboriginal painting. Opening new vistas in iconology and the emergent field of visual culture, he also considers the importance of Dolly the Sheep—who, as a clone, fulfills the ancient dream of creating a living image—and the destruction of the World Trade Center on 9/11, which, among other things, signifies a new and virulent form of iconoclasm.
What Do Pictures Want? offers an immensely rich and suggestive account of the interplay between the visible and the readable. A work by one of our leading theorists of visual representation, it will be a touchstone for art historians, literary critics, anthropologists, and philosophers alike.
“A treasury of episodes—generally overlooked by art history and visual studies—that turn on images that ‘walk by themselves’ and exert their own power over the living.”—Norman Bryson, Artforum
"Mitchell's new book poses the key question of our obsessive times: not 'What do we want?' but 'What do the objects we look at want from us?' This question reaches much further than the domain of visual arts. It touches the very core of today's ideology." - Slavoj Zizek; "This lively book is something more than a critical tour of the problematics of contemporary art theory. It is also the elaboration of what is surely destined to become an influential new tripartite concept of the object, namely as idol, fetish, and totem." - Fredric Jameson"
|List of Illustrations|
|What Do Pictures Want?|
|The Surplus Value of Images|
|Empire and Objecthood|
|Romanticism and the Life of Things|
|Totemism, Fetishism, Idolatry|
|Abstraction and Intimacy|
|What Sculpture Wants: Placing Antony Gormley|
|The Ends of American Photography: Robert Frank as National Medium|
|Living Color: Race, Stereotype, and Animation in Spike Lee'sBamboozled|
|The Work of Art in the Age of Biocybernetic Reproduction|
|Showing Seeing: A Critique of Visual Culture|
|Table of Contents provided by Publisher. All Rights Reserved.|
Number Of Pages: 408
Published: 1st June 2005
Publisher: The University of Chicago Press
Country of Publication: US
Dimensions (cm): 23.5 x 16.2 x 1.91
Weight (kg): 0.68
Edition Number: 2