"Walter Benjamin, Religion, and Aesthetics" is an innovative attempt to reconceive the key concepts of religious studies through a reading with, and against, Walter Benjamin. Brent Plate deftly sifts through Benjamin's voluminous writings showing how his concepts of art, allegory, and experience undo traditional religious concepts such as myth, symbol, memory, narrative, creation, and redemption. Recasting religion as religious practice, as process and movement, Plate locates a Benjaminian materialist aesthetics, what the author calls an "allegorical aesthetics," in order to uncover sources and establish a new locus for the study of religion.
Placing the concept of an allegorical aesthetics into practice, Plate offers examinations of aesthetic productions such as Daniel Libeskind's architecture and Marcel Duchamp's ready-mades alongside religious developments such as the Hindu Bhakti movement and Jewish Kabbalistic thought.
"Walter Benjamin, Religion, and Aesthetics" will be necessary reading for those interested in religion and the arts, aesthetics, and material culture.
|Prescript: The Religious Uses of Benjamin||p. vii|
|Abbreviations of Works Cited||p. xiii|
|Introduction Creative Aesthetics Creating Religion||p. 1|
|Aesthetics (I): from the Body to the Mind and Back||p. 15|
|Allegorical Aesthetics||p. 39|
|Working Art: the Aesthetics of Technological Reproduction||p. 83|
|Aesthetics (Ii): Building the Communal Sense||p. 123|
|Table of Contents provided by Publisher. All Rights Reserved.|
Number Of Pages: 192
Published: 18th November 2004
Country of Publication: GB
Dimensions (cm): 22.66 x 15.34 x 1.42
Weight (kg): 0.33
Edition Number: 1