The second volume of the autobiography of Doris Lessing, winner of the Nobel Prize for Literature. Walking in the Shade begins in 1949, as Doris Lessing arrives in London with nothing but her young son and the manuscript of her first novel.
With humour and clear-sightedness, she records her battles of the next decade: her involvement with communism, her love affairs, her struggle with poverty, the difficulties she faced as a young single mother. But as well there is the success of that first novel, The Grass Is Singing, and meetings with personalities and opinion-makers - Kenneth Tynan, John Osborne, Bertrand Russell and others.Describing, too, the genesis of The Golden Notebook, this book sees Lessing emerge as one of the most exciting, and groundbreaking, novelists of the post-war generation, and one of the twentieth century's great writers.
About the Author
Doris Lessing is one of the most important writers of the twentieth century and was awarded the Nobel Prize for Literature 2007. Her first novel, The Grass is Singing, was published in 1950. Among her other celebrated novels are The Golden Notebook, The Fifth Child and Memoirs of a Survivor. She has also published two volumes of her autobiography, Under my Skin and Walking in the Shade. Her most recent novel is The Cleft.
'Lessing, as this second installment of her autobiography again proves, is one of those rare writers who has lived the examined life and is willing to share what she has learned and done, even if it is not to her credit. Unlike the first volume of memoirs (Under My Skin, 1994), the personal narrative takes second place here as Lessing concentrates on the intellectual and ideological forces that affected her during the 1950s. She arrived in London with her young son, Peter, in 1949, after leaving her second husband. London was still a bleak and bombed-out city - housing was short, food was rationed, and the people were enervated. Lessing found a good agent and managed to live on her earnings as a writer. She describes her mother's lonely death in Rhodesia, caused in part, Lessing thinks, by her rejection of her mother's offers of affection and support. She does not slight the personal or domestic: She worries about raising Peter as a single parent, and frankly describes her two lengthy affairs. But it is the world of ideas, of publishing, writing, and the theater, that primarily engage her. She describes how she writes and what she tried to achieve in writing her immensely influential novel The Golden Notebook. She is frank about joining the Communist Party (probably 'the most neurotic act of my life'); about her disillusionment with it and other mass movements ('the first impulse was the thrills . . . secondly came the politics'); and she is angry and insightful about the British, who suffer, she says, from "a reluctance to understand extreme experience.' A history of a difficult, often grim time related by an astute observer, as well as a truthful record of a bumpy journey to self-knowledge. Further proof, if it were needed, of Lessing's remarkable ability to look reality in the face and not blink.' Kirkus Reviews