Triumph Of Caesar
Roma sub Rosa : Book 9
By: Steven Saylor
Paperback | 25 April 2009 | Edition Number 1
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311 Pages
2.1 x 11.3 x 17.6
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Having obliterated the opposition, Caesar is now dictator for life. In the upcoming celebrations, Vercingetorix the Gaul is scheduled to be executed, as is Arsinoe, the sister of Cleopatra... and Cleopatra herself is in Rome on a state visit, trying to convince Caesar to acknowledge their son as his heir.
Marc Antony and Caesar are at odds; Cicero is making a fool of himself with a new teenage bride; and Caesar's wife Calpurnia, having fallen under the spell of an Etruscan soothsayer, is convinced of a plot on her husband's life.
Murder and intrigue again draw Gordianus into the vortex of history.
About the Author
Steven Saylor is the author of the critically acclaimed historical mystery novels set in ancient Rome, the Roma sub Rosa series, featuring Gordianus the Finder, and the two historical epics Roma and Empire. He divides his time between Berkeley, California, and Austin, Texas.
Industry Reviews
''The convincing backdrop of daily life in ancient Rome helps make this compelling whodunit a triumph.'' --Publishers Weekly (starred review)
''The tenth novel featuring Gordianus the Finder maintains the high standards of Saylor's Roma Sub Rosa series . . . He [follows] Gordianus through the streets of Rome on the hunt for a killer who has murdered a friend . . . He is assisted by his daughter, Diana, a brilliant, plucky girl who sees clues he misses. The reader is treated to history and culture, including Caesar's four triumphs: religion, divination, senatorial politics and conniving women. Narrator Ralph Cosham, a former British journalist who changed careers to become a narrator and screen and stage actor, has been a three-time nominee for the prestigious Audie Award. He does not disappoint here in a full-voiced presentation. His female characterizations are superb. The novel is highly recommended.'' Soundcommentary.com (starred review)
''Ralph Cosham (audiobook narrator/reader) performs this historical mystery in clear tones and subtle differentiation between the characters. Women are portrayed with light tones, while men's voices vary according to their personality. In a world of intrigue and political unrest, Gordianus inserts himself into the lives of the upper classes, including Brutus, Cicero, Caesar, and Marc Antony. Cosham's voice modulates with emotion while recounting Rome's political intrigue.'' --AudioFile
''Builds character and emotion on a foundation of history. At each stage fiction is used not to alter fact but to illuminate it, humanize it and bring it to life.'' --Houston Chronicle onthe Roma series
''May Steven Saylor's Roman empire never fall! Writing in a spare, elegant style shorn of excess description, Saylor convincingly transports us into the ancient world . . . '' --USA Today on the Roma series
'Saylor is on top form with the latest in his extraordinarily vivid series of crime novels set in ancient Rome.' -- Sunday Times
'Saylor expertly weaves the true history of Rome with the lives and loves of its fictional citizens.' Daily Express
'... with the scalpel-like deftness of a Hollywood director, Saylor puts his finger on the very essence of Roman History' -- TLS
'How wonderful to have a scholar write about ancient Rome; how comforting to feel instant confidence in the historical accuracy of the novel' -- The Sunday Times
'A breathtaking epic ... scholarly and engrossing ...Compelling and evocative, this dramatic saga does full justice to the fascinating role that ancient Rome has played in world history.' -- Good Book Guide
"I heard that you were dead."
Such a brusque comment from Caesar's wife might have offended me had I not heard it already from so many others since I returned from Egypt to Rome, where everyone had apparently given me up for dead.
Having sent a slave to summon me, Calpurnia had received me in an elegant but sparsely furnished room in her house not far from mine on the Palatine Hill. There was only one chair. She sat. I stood and tried not to fidget while the most powerful woman in Rome looked me up and down.
"Yes, I'm sure one of my agents told me you drowned in the Nile," she said, gazing at me shrewdly. "Yet here you stand before me, Gordianus, as alive as ever—unless those Egyptians have learned to bring the dead back to life, not just mummify them." She fixed her chilly gaze on my face. "How old are you, Finder?"
"Sixty-four."
"No! Have the Egyptians found a way to restore a man's youth? You look very fit for a man your age. You're ten years older than my husband, yet I daresay you look ten years younger."
I shrugged. "Great Caesar carries the weight of the whole world on his shoulders. His enemies have been destroyed, but his responsibilities are greater than ever. The worries and cares of the world's master must be endless. My humble life has taken a different course. My obligations grow less, not more. I've had my share of strife, but now I'm at peace with the world and with myself. For the time being, at least . . ."
Having been summoned by Caesar's wife, I had to wonder if the tranquillity of my life was about to be sorely disrupted.
"When did I last see you, Gordianus?"
"It must have been almost exactly two years ago, just before I left for Egypt." She nodded. "You went there because your wife was unwell."
"Yes. Bethesda was born in Egypt. She believed that she could be cured of her illness only by bathing in the waters of the Nile. The cure apparently worked, because—"
"Yet you spent most of your time in the city of Alexandria, along with my husband," she said, showing no interest in Bethesda's cure.
"Yes. I arrived in the midst of the civil war between Queen Cleopatra and her siblings. During the siege that confined Caesar to the royal palace for several months, I was trapped there as well."
"Where you became quite friendly with my husband."
"I had the privilege of conversing with him on numerous occasions," I said, evading the topic of friendship. My feelings toward Caesar were more complicated than that.
"Eventually, my husband was victorious in Egypt, as he's been victorious in every other campaign. He put an end to the civil strife in Alexandria . . . and installed young Cleopatra on the throne."
She spoke the queen's name with a grimace; Caesar's adulterous love affair with Cleopatra, who claimed to have borne his child, was a favorite topic of every scandalmonger in Rome. The grimace deepened the wrinkles on her face, and Calpurnia suddenly looked much older than when I had last seen her. She had never been a beautiful woman; Caesar had not married her for her looks but for her respectability. His previous wife had embarrassed him by falling prey to gossip. "Caesar's wife," he had declared, "must be above suspicion." Calpurnia proved to be hardheaded, pragmatic, and ruthless; Caesar had entrusted her to run his network of spies in the capital while he fought his rivals on distant battlefields. There was nothing frivolous in either her manner or her appearance; she made no effort to flatter her face with colorful cosmetics or her figure with elegant fabrics.
I looked about the room, which reflected the taste of its occupant. The walls were stained deep red and somber yellow. Instead of depicting an image from history or Homer, the impeccably crafted mosaic floor displayed an array of interlocking geometric patterns in muted colors. The furnishings were exquisite but few—woolen rugs, bronze lamp holders, and the single backless chair made of ebony inlaid with lapis tiles in which my hostess sat.
It was not the reception hall of a queen; those I had seen in Egypt, bright with gold and dripping with ornaments, their dazzle intended to intimidate all who entered. And yet, in fact if not in name, Calpurnia was now the queen of Rome; and Caesar, having defeated every rival, was its king, though for now he preferred the venerable title of dictator, the office our ancestors created so that a strong man could rule the state in times of emergency. But if rumors were true—that Caesar intended to make the Senate declare him dictator for life—how was he any different from the kings of olden days, before Rome became a proud republic? "Caesar is in danger," Calpurnia said abruptly. She clasped her hands tightly in her lap. Her face was taut. "Great danger. That's why I've called you here."
The statement struck me as so peculiar that I laughed out loud, then checked myself when I saw the look on her face. If the most powerful man on earth, the victorious survivor of a brutal civil war that had wreaked havoc across the whole world, was in danger, what could Gordianus the Finder do to protect him? "I'm sure that Caesar can look after himself," I said. "Or if he wants my help, then he can ask me—"
"No!" Her voice rose sharply. This was not the dispassionate, coldly calculating Calpurnia I knew but a woman touched by genuine fear. "Caesar doesn't realize the danger. Caesar is . . . distracted."
"Distracted?"
"He's too busy preparing for his upcoming triumphs."
I nodded. There were to be four triumphal processions in the days to come. The first, to celebrate Caesar's conquest of Gaul, would take place three days hence. "Caesar is consumed with the planning and arrangements," she said. "He intends to give the people a series of spectacles such as they've never seen before. Small things fall below his notice. But small things can grow to be great things. They say the Nile crocodile begins life as a creature hardly bigger than my little finger." "Yet it very quickly it grows into a monster that can bite a man in two."
"Exactly! That's why I've called you here, Gordianus—you have a nose for danger and a taste for finding the truth." She raised a finger. The gesture was so slight I barely noticed it, but an alert slave standing just outside the doorway hurried to her side.
"Bring Porsenna," said Calpurnia.
The slave departed without a sound. A few moments later, a gray-bearded man entered the room. He wore the yellow costume of an Etruscan haruspex. Over a bright tunic was a pleated cloak fixed at his shoulder with a large clasp of finely wrought bronze. The clasp was in the shape of a sheep's liver marked into numerous sections, with notations in the Etruscan alphabet etched into each section—a diviner's chart for locating omens amid the entrails. On his head the haruspex wore a high conical cap, held in place by a strap under his chin.
Haruspicy was the Etruscan science of divination. From ancient days, Rome's neighbors to the north worshipped a childgod called Tages, who had snakes for legs. Long ago, Tages appeared to an Etruscan holy man in a freshly plowed field, rising from the dirt and bearing books filled with wisdom. From those books the science of haruspicy was born.
Even before Rome was founded, the Etruscans were examining the entrails of sacri.ced animals to predict every aspect of the future, from the outcome of great battles to the next day's weather. They were also adept at interpreting dreams and at finding meaning in various phenomena. Lightning, freakish weather, strange objects fallen from the sky, and the birth of monstrously deformed animals were all attempts by the gods to communicate their will to mankind.
Haruspicy had never become a part of Rome's official state religion. To determine the will of the gods, Roman priests consulted the Sibylline Books and Roman augurs observed the flight of birds. (Roman priests sacrificed animals, to be sure, and offered the blood and organs to the gods, but they did not presume to predict the future from this pious activity.) Nevertheless, despite its unofficial status, the ancient Etruscan art of divination persisted. Believers consulted haruspices for guidance in personal and business affairs, and in recent years even the Senate had taken to calling upon a haruspex to read the entrails of a sacrificed beast before beginning the day's debate.
One of the charms of haruspicy was the fact that its practitioners used the Etruscan language in their rituals. Nobody spoke Etruscan anymore, not even the Etruscans, and the language is so different from every other language that the sound of it alone conveys an exotic, otherworldly quality.
Even so, there were plenty of nonbelievers who scoffed at what they considered outmoded superstitions practiced by charlatans. Cato, leader of the opposition's last stand against Caesar in Africa, once remarked: "When two of these yellowclad buffoons meet in the street, babbling in their incomprehensible tongue, it's a miracle that either can keep a straight face!" Of course, Cato had come to a terrible end, enduring perhaps the most wretched of all the deaths suffered by Caesar's opponents. All Rome would no doubt be reminded of the grisly details during one of the upcoming triumphs...
ISBN: 9781845298999
ISBN-10: 1845298993
Series: Roma Sub Rosa Ser.
Published: 25th April 2009
Format: Paperback
Language: English
Number of Pages: 311
Audience: General Adult
Publisher: Little Brown
Country of Publication: GB
Edition Number: 1
Dimensions (cm): 2.1 x 11.3 x 17.6
Weight (kg): 0.18
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