The new novel about home, belonging, love, courage and identity, set in the fourteenth century, from the Booker-longlisted author of The People's Act of Love.
Three journeys. One road.
England, 1348. A gentlewoman is fleeing an odious arranged marriage, a Scottish proctor is returning to his monastery in Avignon and a handsome young ploughman in search of adventure is on his way to volunteer with a company of archers. All come together on the road to Calais.
Coming in their direction from across the Channel is the Black Death, the plague that will wipe out half of the population of Northern Europe. As the journey unfolds, overshadowed by the archers' past misdeeds and clerical warnings of the imminent end of the world, the wayfarers must confront the nature of their loves and desires.
A tremendous feat of language and empathy, it summons a medieval world that is at once uncannily plausible, utterly alien and eerily reflective of our own. James Meek's extraordinary To Calais, In Ordinary Time is a novel about love, class, faith, loss, gender and desire - set against one of the biggest cataclysms of human history.
About the Author
James Meek is the author of six novels including The People's Act of Love which was longlisted for the Man Booker Prize and won both the Royal Society of Literature Ondaatje Prize and the Scottish Arts Council Award. It has been published in more than thirty countries.
Meek's last novel The Heart Broke In was shortlisted for the Costa Book Award and he has also written two collections of short stories and a book of non-fiction, Private Island, which won the 2015 Orwell Prize. He is a Contributing Editor to the London Review of Books and writes regularly for the Guardian and New York Times. He lives in London.
Fans of intelligent historical fiction will be enthralled by a story so original and so fully imagined. Meek shows the era as alien, which it is, and doesn't falsify it by assimilating it to ours. But his characters are recognisably warm and human -- HILARY MANTEL
An inventive and original novel that captures the distant past and pins it to the page * * The Times, Book of the Month * *
A glorious imaginative feat, full of complex, compelling, believable characters. Rarely have I been so captivated by a novel, so keen to hurry back to it and reimmerse myself in its world -- SARAH WATERS
Meek brilliantly creates a variety of voices, and a language appropriate to the 14th century, for a story of the distant past with unsettling echoes of the present * * Sunday Times * *
A triumphant medieval fable . . . At the centre of this beautiful novel is an exploration of the difference between romance and true love, allegory and reality, history and the present. It plays out in unexpected and delightful ways, and it would be unfair to make these explicit. To Calais, In Ordinary Time ends with a consummation both of its technique and of its story that is affirming, tender and a little bit glorious * * Guardian * *
Ambitious . . . Through skilful deployment of language, Meek manages to craft a living, breathing world populated with characters that come alive in the mind . . . This is a fine novel that seems to speak across centuries with more than the likeness of truth * * Financial Times * *
An extraordinary act of literary ventriloquism . . . A stained-glass window to the past . . . Be it essay or article, novel or short story, as a writer and time traveller James Meek does things differently and as readers we are all the better for that * * Sunday Times * *
A bold, exciting, original novel which makes connections between past and present cataclysms . . . A worthy successor to Meek's prize-winning The People's Act of Love * * Daily Mail * *
Illuminating -- Alex Preston * * Observer * *
To Calais, In Ordinary Time is a true masterpiece. I took delight in every sentence and felt bereft whenever I put it down -- GEORGE MONBIOT