This Double Voice

Gendered Writing in Early Modern England

By: D. Clarke (Editor)

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Paperback | 12 May 2016 | Edition Number 1

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292 Pages

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"The Double Voice" reassesses the notions of gender which have been used to analyze Renaissance literature. Rather than assuming that men and women write differently because of background, education and culture, it tries to unsettle the connections between the sex of the author and the constructions of gender in texts, and to reconsider the prevalent determinist model of reading which tends to consign women writers to the private, domestic sphere, and to render male negotiations of gender and sexuality invisible and transparent.

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Notes on the Contributors
Acknowledgements
Introduction	p. 1
Female Authority and Authorization Strategies in Early Modern Europe	p. 16
'In a mirrour clere': Protestantism and Politics in Anne Lok's Miserere mei Deus	p. 41
'Formd into words by your divided lips': Women, Rhetoric and the Ovidian Tradition	p. 61
The Voices of Anne Cooke, Lady Anne and Lady Bacon	p. 88
Old Wives' Tales Retold: the Mutations of the Fairy Queen	p. 103
Giving Time to Women: the Eternizing Project in Early Modern England	p. 123
The 'Double Voice' of Renaissance Equity and the Literary Voices of Women	p. 142
'For Worth, Not Weakness, Makes in Use but One': Literary Dialogues in an English Renaissance Family	p. 164
'Whom the Lord with love affecteth': Gender and the Religious Poet, 1590-1633	p. 185
Ejaculation or Virgin Birth? The Gendering of the Religious Lyric in the Interregnum	p. 208
Unfettered Organs: the Polemical Voices of Katherine Philips	p. 230
A Voice for Hermaphroditical Education	p. 249
Index	p. 270
Table of Contents provided by Blackwell. All Rights Reserved.

This Double Voice

Gendered Writing in Early Modern England

At a Glance

Paperback

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How to return your order

Defective items

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