From John Reed, author of the controversial Orwell parody, "Snowball's Chance, " comes a subversive satire of modern culture, the complete lack thereof, and a lost generation that no one even tried to look for.
In the middle of America's heartland, a young boy digs a small hole in the ground...which grows into a big hole in the ground...which then proceeds to drag the boy, his parents, his dog, and most of their house into a deep void.
Then, as abruptly as the hole started growing, it stops.
So begins the first in a series of events that takes the beautiful-if-not-brainy Thing on a quest to uncover the truth behind the mysterious Hole.
Inspired by visions, signs, and an unlimited supply of pink cocktails served by an ever-lurking "Black Rabbit," Thing and her dogged production crew travel around America, encountering Satanists, an Extraterrestrial/Christian cult group, and a surprisingly helpful phone psychic. Their search for answers could very well decide the fate of the world as they know it.
But the more Thing learns about the Hole, her shocking connection to it, and the mind-boggling destiny that awaits her, the more she realizes that human civilization isn't all it's cracked up to be -- and that it's just about time to start over.
Media satire about a vacant piece of TV eye candy on a quixotic quest. Boy, those MTV VJs sure are stupid, aren't they? That's the precis in this location-hopping whirligig about a particularly popular and insecure member of that exclusive tribe, one who aims higher than her station and is repeatedly smacked around for it. Like Chauncey in the movie Being There, Reed's dim-bulb blonde hardly understands anything about anything but is quite aware of the importance of television. Plucked from the masses at an MTV-filmed beach party, Thing-the author's limitless contempt forbids his even giving her a name-is a quick hit on the channel, which hires her as a correspondent and promotes her physical attributes by having her pop out of a number of already-revealing outfits. So far, so good for Thing. But then ratings start to drop, she loses the job, and ends up spiraling down the media superstar ladder. Mixed into the story is some addle-brained nonsense about a gigantic hole in the country's heartland that's sucking everything and anything into it, a sort of terrestrial black hole. This phenomenon dovetails with the oddball desire for something she knows only as "the middle" that leads Thing on a magical mystery tour to Roswell, Las Vegas, and beyond, camera crew in tow. Reed (A Still Small Voice, 2000, etc.) actually seems to think he's making a vast statement about mass media-while the digs at MTV in fact seem like product placement dropped into a book they're publishing-and about the ditzy Thing. Barely a page goes by where he doesn't slap in some too-obvious jab at her lack of intelligence: "All Thing could find to do was go back to Manhattan for the opening of Shakespeare in the Park, which Thing learned, was to take place, oddly enough, in a park." It gets old. A whole lot of nothing. (Kirkus Reviews)