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The Soundscape of Modernity : Architectural Acoustics and the Culture of Listening in America, 1900-1933 - Emily Thompson

The Soundscape of Modernity

Architectural Acoustics and the Culture of Listening in America, 1900-1933

Paperback

Published: 17th September 2004
For Ages: 18+ years old
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Winner of the 2005 Edelstein Prize sponsored by the Society for the History of Technology (SHOT), Winner of the 2004 Marc-August Pictet Prize presented by The Societe de Physique et d'Histoire Naturelle (SPHN) de Geneve, Winner of the 2003 John Hope Franklin Book Award presented by the American Studies Association, Winner of the 2002 Science Writing Award in Acoustics for Journalists, presented by the Acoustical Society of America and Winner of the 2003 Lewis Mumford Award for Outstanding Scholarship in the Ecology of Technics, presented by the Media Ecology Association (MEA) In this history of aural culture in early-twentieth-century America, Emily Thompson charts dramatic transformations in what people heard and how they listened. What they heard was a new kind of sound that was the product of modern technology. They listened as newly critical consumers of aural commodities. By examining the technologies that produced this sound, as well as the culture that enthusiastically consumed it, Thompson recovers a lost dimension of the Machine Age and deepens our understanding of the experience of change that characterized the era. Reverberation equations, sound meters, microphones, and acoustical tiles were deployed in places as varied as Boston's Symphony Hall, New York's office skyscrapers, and the soundstages of Hollywood. The control provided by these technologies, however, was applied in ways that denied the particularity of place, and the diverse spaces of modern America began to sound alike as a universal new sound predominated. Although this sound--clear, direct, efficient, and nonreverberant--had little to say about the physical spaces in which it was produced, it speaks volumes about the culture that created it. By listening to it, Thompson constructs a compelling new account of the experience of modernity in America.

"A historical tour de force... an absorbing book, as accessible in its technical content as it is provocative in its cultural interpretations." - Daniel J. Kevles, The New York Review of Books; "A path-breaking account of the technology, architecture and culture of acoustics in the early 20th century." - Leon Botstein, Los Angeles Times Book Review

Acknowledgmentsp. vii
Introduction: Sound, Modernity, and Historyp. 1
The Origins of Modern Acousticsp. 13
The New Acoustics, 1900-1933p. 59
Noise and Modern Culture, 1900-1933p. 115
Acoustical Materials and Modern Architecture, 1900-1933p. 169
Electroacoustics and Modern Sound, 1900-1933p. 229
Conclusion: Rockefeller Center and the End of an Erap. 295
Codap. 317
Notesp. 325
Bibliographyp. 425
Indexp. 471
Table of Contents provided by Publisher. All Rights Reserved.

ISBN: 9780262701068
ISBN-10: 0262701065
Series: The MIT Press
Audience: Professional
For Ages: 18+ years old
Format: Paperback
Language: English
Number Of Pages: 510
Published: 17th September 2004
Publisher: MIT Press Ltd
Country of Publication: US
Dimensions (cm): 22.9 x 20.3  x 2.9
Weight (kg): 1.07