In this book Robert Pinsky writes about contemporary poetry as it reflects its modernist and Romantic past. He isolates certain persistent ideas about poetry's situation relative to life and focuses on the conflict the poet faces between the nature of words and poetic forms on one side, and the nature of experience on the other.
The author ranges for his often surprising examples from Keats to the great modernists such as Stevens and Williams, to the contents of recent magazines. He considers work by Ammons, Ashbery, Bogan, Ginsberg, Lowell, Merwin, O'Hara, and younger writers, offering judgments and enthusiasms from a viewpoint that is consistent but unstereotyped.
Like his poetry, Robert Pinsky's criticism joins the traditional and the innovative in ways that are thoughtful and unmistakably his own. His book is a bold essay on the contemporary situation in poetry, on the dazzling achievements of modernism, and on the nature or "situation" of poetry itself.
"The mind at work in The Situation of Poetry is lively, fresh, and critical without being obsessed by the rigor of criticism. [Pinsky's] comments are brief, vivid, distinct... and his taste is excellent."--Denis Donoghue, The New York Times Book Review "No one can read Pinsky's writing without being provoked to thought."--Helen Vendler, The Nation
Series: Princeton Essays in Literature
Number Of Pages: 200
Published: 21st October 1978
Publisher: Princeton University Press
Country of Publication: US
Dimensions (cm): 21.59 x 13.97
Weight (kg): 0.24