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The Sacred Harp : A Tradition and Its Music - Buell E Jr Cobb

The Sacred Harp

A Tradition and Its Music

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On any Sunday afternoon a traveler through the Deep South might chance upon the rich, full sound of Sacred Harp singing. Aided with nothing but their own voices and the traditional shape-note songbook, Sacred Harp singers produce a sound that is unmistakable--clear and full-voiced. Passed down from early settlers in the backwoods of the Southern Uplands, this religious folk tradition hearkens back to a simpler age when Sundays were a time for the Lord and the "singings."

Illustrated with forty-one songs from the original songbook, "The Sacred Harp" is a comprehensive account of a unique form of folk music. Buell Cobb's study encompasses the history of the songbook itself, an analysis of the music, and an intimate portrait of the singers who have kept alive a truly American tradition.

"Never again should we allow to stand uncorrected the statement that jazz is the only truly indigenous American music."--"Chattanooga Times" "This volume studies a southern musical tradition less well known than jazz but equally important, and emphasizes that [Sacred Harp] represents a social experience as well as a musical one for its participants."--"Alabama Review" "Cobb presents a thoroughly researched 'inside' view of the performance practice and cultural context of Sacred Harp folk. The media that severed Americans from oral tradition and developed a national culture at the expense of indigenous local practice has induced a rootless and nostalgia-seeking generation to return 'home' to warm themselves in the glow of traditional community singing."--"American Music" "Cobb's study aims at a comprehensive presentation of the contents, history, and use of "The Sacred Harp". He slights no aspect of the book and in many areas makes contributions that are fresh and important. . . . One of the few authoritative studies of a southern vernacular institution."--"Journal of Southern History" "To Buell Cobb and the University of Georgia Press goes the gratitude of fasola singers throughout the nation for their printing of this significant volume."--"Southwestern Journal of Theology" "Cobb's study deserves to be included on the growing bookshelf of American musical studies. We are, perhaps, past the time when we can give Sacred Harp singing the recognition it deserves. Cobb has adequately preserved much of the meaning of that music in the lives of those who sang it."--"Ethnomusicology" "[A] definitive history . . . Buell Cobb is an authority on Sacred Harp and an enthusiastic member of the singing community."--"Southern Living" "An 'inside' history of the movement . . . Cobb describes in detail the tradition as a whole, its music, its early history, the editions of "The Sacred Harp", and the rise and decline of the big singing conventions."--"American Historical Review" Cobb's study aims at a comprehensive presentation of the contents, history, and use of "The Sacred Harp." He slights no aspect of the book and in many areas makes contributions that are fresh and important. . . . One of the few authoritative studies of a southern vernacular institution.--"Journal of Southern History" An 'inside' history of the movement . . . Cobb describes in detail the tradition as a whole, its music, its early history, the editions of "The Sacred Harp," and the rise and decline of the big singing conventions.--"American Historical Review" [A] definitive history . . . Buell Cobb is an authority on Sacred Harp and an enthusiastic member of the singing community.--"Southern Living" Cobb's study deserves to be included on the growing bookshelf of American musical studies. We are, perhaps, past the time when we can give Sacred Harp singing the recognition it deserves. Cobb has adequately preserved much of the meaning of that music in the lives of those who sang it.--"Ethnomusicology" To Buell Cobb and the University of Georgia Press goes the gratitude of fasola singers throughout the nation for their printing of this significant volume.--"Southwestern Journal of Theology" This volume studies a southern musical tradition less well known than jazz but equally important, and emphasizes that [Sacred Harp] represents a social experience as well as a musical one for its participants.--"Alabama Review" Cobb presents a thoroughly researched 'inside' view of the performance practice and cultural context of Sacred Harp folk. The media that severed Americans from oral tradition and developed a national culture at the expense of indigenous local practice has induced a rootless and nostalgia-seeking generation to return 'home' to warm themselves in the glow of traditional community singing.--"American Music" Never again should we allow to stand uncorrected the statement that jazz is the only truly indigenous American music.--"Chattanooga Times"

Preface to the Brown Thrasher Editionp. vii
Prefacep. xv
The Traditionp. 1
The Musicp. 30
The Background and Early Historyp. 57
The Revisionsp. 84
The Conventionsp. 128
The Outlookp. 149
Traditional Sacred Harp Singings: Dates and Locationsp. 163
Selected Songs from the Sacred Harpp. 187
Selected Bibliographyp. 229
Notesp. 232
Indexp. 237
Table of Contents provided by Syndetics. All Rights Reserved.

ISBN: 9780820323718
ISBN-10: 0820323713
Series: Brown Thrasher Books
Audience: General
Format: Paperback
Language: English
Number Of Pages: 245
Published: 10th October 1989
Country of Publication: US
Dimensions (cm): 21.59 x 13.97  x 1.91
Weight (kg): 0.35