A unique tribute from David Bowie's official photographer and creative partner, Mick Rock, compiled in 2015, with Bowie’s blessing.
In 1972, David Bowie released his groundbreaking album The Rise and Fall of Ziggy Stardust and the Spiders from Mars. With it landed Bowie’s Stardust alter-ego: A glitter-clad, mascara-eyed, sexually-ambiguous persona who kicked down the boundaries between male and female, straight and gay, fact and fiction into one shifting and sparkling phenomenon of 70s self-expression. Together, Ziggy the album and Ziggy the stage spectacular propelled the softly spoken Londoner into one of the world s biggest stars.
A key passenger on this glam trip into the stratosphere was fellow Londoner and photographer Mick Rock. Rock bonded with Bowie artistically and personally, immersed himself in the singer’s inner circle, and, between 1972 and 1973, worked as the singer’s photographer and videographer.
This collection, featuring around 50 percent previously unpublished images, brings together spectacular stage shots, iconic photo shoots, as well as intimate backstage portraits. With a lenticular cover of different headshots, it celebrates Bowie’s fearless experimentation and reinvention, while offering privileged access to the many facets of his personality and fame. Through the aloof and approachable, the playful and serious, the candid and the contrived, the result is a passionate tribute to a brilliant and inspirational artist whose creative vision will never be forgotten.
About the Author
Mick Rock (born 1948) is a British photographer best known for his iconic shots of rock and roll legends such as Queen, David Bowie, Syd Barrett, Lou Reed, Iggy Pop and The Stooges, Geordie, The Sex Pistols, The Ramones, Joan Jett, Talking Heads, Roxy Music, Crossfade, Thin Lizzy, Mötley Crüe, and Blondie. Often referred to as "The Man Who Shot the Seventies", most of the memorable images of David Bowie as Ziggy Stardust were shot by Rock, in his capacity as Bowie's official photographer.
'Rock's pictures don't simply depict a singer seizing the moment, but document an artist creating it.' -
Royal Photographic Society Journal, London