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The Orchestration of the Arts -- A Creative Symbiosis of Existential Powers : The Vibrating Interplay of Sound, Color, Image, Gesture, Movement, Rhythm, Fragrance, Word, Touch - Marlies Kronegger

The Orchestration of the Arts -- A Creative Symbiosis of Existential Powers

The Vibrating Interplay of Sound, Color, Image, Gesture, Movement, Rhythm, Fragrance, Word, Touch

By: Marlies Kronegger (Editor)

Hardcover Published: 30th June 2000
ISBN: 9780792360087
Number Of Pages: 476

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Regardless of the subject matter, our studies are always searching for a sense of the universal in the specific. Drawing, etchings and paintings are a way of communicating ideas and emotions. The key word here is to communicate. Whether the audience sees the work as laborious or poetic depends on the creative genius of the artist. Some painters use the play of light passing through a landscape or washing over a figure to create an evocative moment that will be both timeless and transitory. The essential role of art remains what is has always been, a way of human expression. This is the role that our participants concentrate on as they discuss art as the expression of the spirit, a creative act through which the artist makes manifest what is within him. Spirit suggests the unity of feeling and thought. Avoiding broad generalities, our participants address specific areas in orchestration with music, architecture, literature and phenomenology. Profs. Souiller, Scholz, Etlin, Sweetser, Josephs show us at what point art is an intimate, profound expression and the magic of a civilization as a whole, springing from its evolving thoughts and embodying ideals, such as the Renaissance, the Baroque, Modernism and at what point it reflects the transĀ­ formation of a particular society and its mode of life.

Acknowledgementsp. ix
The Orchestration of the Arts: A New Approach to the Great Questionsp. ix
Introductionp. 1
Music, Literature, History, Architecture, Staging, Painting, Decoration: Within A Symphony of the Arts
Paradox and Metaphor: An Integrity of the Artsp. 5
Aesthetic Symbiosis and Spiritual Quest: Grunewald's Isenheim Altarpiece in Hindemith's Opera Mathis der Malerp. 17
The Ambiguity of Baroque Enchantment: Operatic Mise en Abymep. 53
The Musicalization of Prose: Prolegomena to the Experience of Literature in Musical Formp. 65
Calderon's Dramatic Technique: The Orchestration of the Arts, From Drama to Operap. 75
Baroque Splendor: Vierzehnheiligen Church and Bach's B-Minor Massp. 89
Sharing in Creative and Cosmic Synergies
Orchestration of the Universe: Reflections on Tagore's Creativityp. 99
The Synergies of Mind and Muse: Reflections on Nineteenth-Century Thought and A Comparative Analysis of Dante Gabriel Rosetti's Poem and Painting The Blessed Damozel and Claude Debussy's La Demoiselle Eluep. 113
The Interdependency of Literature, Architecture, Theater and Music as an Expression of Baroque Absolutism at the Hapsburg Court in Viennap. 135
Literature and Architecture as a Metaphor of "Grandeur" and "Decadence"p. 149
Louis Sullivan: The Life-Enhancing Symbiosis of Music, Language, Architecture, and Ornamentp. 165
An Orchestration of the Arts in Wallace Stevens' "Peter Quince at the Clavier"p. 183
The Symbiosis and the Interaction of the Arts
The Harmonic Conceit: Music, Nature and Mind in Wordworth's Preludep. 197
Histoire de L'Aveugle: "Matierisme"'s Critique of Visionp. 209
Images of Water and the Sea in Tristan L'Hermite's "La Mer" and in Paintingp. 241
Arts Interacting with Our Perception of Nature and Human Life
Fire and Ice: Le Vrai Magiquep. 257
W. E. B. du Bois' The Souls of Black Folk as an Example of the Tragicp. 265
The Blending of Natures and the Perception of the Realp. 275
The Symbiosis and the Interaction of the Arts: Cesario Verde, Poet / Painterp. 283
This is Mine, and I Can Hold It: Edna St. Vincent Millay and her Musicp. 293
The Poetic Inter-Reflection of the Arts
The Terpsichorean Poemp. 305
A Study in Nostalgia: The Orchestration of Life in Facade. The Edith Sitwell--William Walton Musico-Poetic Collaborationp. 315
Interreflection of Complementary Expressive Means in Combined-Media Art Performancesp. 325
The Orchestration of the Arts in Leila Sebbar's Sherazade, 17 ans, brune, frisee, les yeux vertsp. 343
Beauty and the Dialogue of the Arts: Considerations about Gadamerp. 351
Arts Nurturing Human Culture
A Look at Modernism from the Keyboard: The Piano in the Parlor and Abstract Artp. 365
Pierre Puvis de Chavannes, Richard Wagner and Emile Bernard: Composition and Meaning in the Late Nineteenth Centuryp. 379
The Temporal Character of Catherine Schieve's Slide Operap. 391
An Unfolding of Theory and Practice: From Ingarden to a Phenomenological Aesthetic for Operap. 401
Emotion, Metaphor, Music, and Humorp. 417
The Cultural Milieu of Francis Poulenc (1899-1963) and his "Musique de Tous les Jours" (including a brief survey of his works for piano)p. 437
Index of Namesp. 469
Table of Contents provided by Syndetics. All Rights Reserved.

ISBN: 9780792360087
ISBN-10: 0792360087
Series: Analecta Husserliana
Audience: General
Format: Hardcover
Language: English
Number Of Pages: 476
Published: 30th June 2000
Publisher: SPRINGER VERLAG GMBH
Country of Publication: NL
Dimensions (cm): 23.39 x 15.6  x 2.69
Weight (kg): 0.87

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