+612 9045 4394
 
CHECKOUT
The Martian Chronicles - Ray D Bradbury

Paperback Published: 17th April 2012
ISBN: 9781451678192
Number Of Pages: 241

Share This Book:

Paperback

RRP $15.99
$12.50
22%
OFF
In Stock
Enter an Australian post code for delivery estimate

Earn 25 Qantas Points
on this Book

 The Martian Chronicles, a seminal work in Ray Bradbury's career, whose extraordinary power and imagination remain undimmed by time's passage, is available from Simon & Schuster for the first time.

In The Martian Chronicles, Ray Bradbury, one of our most beloved writers, imagines a place of hope, dreams, and metaphor-of crystal pillars and fossil seas-where a fine dust settles on the great, empty cities of a silently destroyed civilization. Here the Earthman conquers Mars and then is conquered by it, lulled by dangerous lies of comfort and familiarity, and enchanted by the lingering glamour of an ancient, mysterious native race. In this classic work of fiction, Bradbury exposes our strengths, weaknesses, and poignant humanity in a strange and breathtaking world where humanity does not belong.

About the Author

Ray Bradbury (1920–2012) was the author of more than three dozen books, including Fahrenheit 451, The Martian Chronicles, The Illustrated Man, Dandelion Wine, and Something Wicked This Way Comes, as well as hundreds of short stories. He wrote for the theater, cinema, and TV, including the screenplay for John Huston’s Moby Dick and the Emmy Award–winning teleplay The Halloween Tree, and adapted for television sixty-five of his stories for The Ray Bradbury Theater. He was the recipient of the 2000 National Book Foundation’s Medal for Distinguished Contribution to American Letters, the 2007 Pulitzer Prize Special Citation, and numerous other honors.

Industry Reviews

"A modern classic" --The Washington Post
"A giant...One of the country's most popular and prolific authors." --Los Angeles Times
"One of the greats of twentieth century American fantasy." --Newsday
"There is no simpler, yet deeper, stylist than Bradbury. Out of the plainest of words he creates images and moods that readers seem to carry with them forever." --San Francisco Chronicle
"A wonderful storyteller....Nearly everything he has written is sheer poetry." --St. Louis Post-Dispatch

A classic not to be missed

5

There are some books that defy classification -- they slip from the clenched fists of genre's restrictive grasps, and seem almost above critique. Their sums are greater and longer lasting, more impactful than their parts. They represent some of the best of what the human mind can create, and remain strangely timeless despite the fact that science or culture may surpass their literal truths. The Martian Chronicles is one such book. Famously referred to by author Ray Bradbury as "a book of stories pretending to be a novel", the disparate parts somehow come together to form something more than a novel. Like Tolkien's war of the ring, this story of the settlement of Mars and its aftermath transcends genre-fiction and somehow becomes more like fictional history -- or, in this case, a cautionary fable. Throughout these stories, the reader encounters themes of xenophobia, imperialism, censorship, war, and racism (though the story dealing with this most directly, "Way in the Middle of the Air", where, back on Earth, all black people decide to emigrate to Mars, is stupidly cut from many of the later editions). Although Bradbury tends to stick to these broad strokes throughout, rather than focusing on individual characters, there are also stories that chronicle the more personal struggles of violence, fear, loneliness, and isolation. Yet somehow it never manages to get mired down in its own bleak moralizing. Bradbury knows when to apply a light touch, and it never feels as if he is lecturing or proselytizing. In fact, sometimes the tone of the book, while sometimes drifting into Bradbury's trademark syrupy and sentimental nostalgia, sometimes swings unexpectedly into the other extreme, describing deaths, plague, genocide, and near-extinction with an irreverent, almost flippant tone. It's a harsh dichotomy that he employs to great effect throughout these stories. Although Bradbury had one time said, of Kurt Vonnegut, "He couldn't see the world the way I see it. I suppose I'm too much Pollyanna, he was too much Cassandra," and I generally agree with this assessment (Vonnegut could never have written Dandelion Wine, Bradbury could never have written Breakfast of Champions) I think they were occasionally more alike than he realized. As I said earlier, the sum total of the effect of reading these stories is greater than any individual tale might work as a standalone, but there are definitely some highlights. "The Third Expedition", where Martians use their psychic abilities to greet the arriving Earthlings by projecting images of the hometowns of their childhoods and appearing as their long-lost loved ones in order to lure them into a false sense of complacency before killing them would not be out of place in any horror collection."Usher II" is a tongue-in-cheek cautionary tale about the dangers of censorship and book burning, where reading the stories of Edgar Allan Poe would literally have saved the lives of several murder victims. "The Silent Towns" is a dry tale of gallows humor where the last man on Mars seeks out the last woman, and then runs from her when he realizes she is unattractive. The real emotional punch, though, comes in the last three stories, where we are shown the grim reality of the fact that we have carelessly destroyed not one, but two planets. In true Bradbury fashion, however -- and perhaps this is his most stark difference when contrasted with Vonnegut -- he leaves us with one last glimmer of hope, in one of the most beautiful ending scenes ever written in a sci-fi novel. Or any novel. The Martian Chronicles is a mirror -- or rather, a twisted series of funhouse mirrors, showing us the uncomfortable and grotesque images of the worst parts of ourselves stretched and distorted and put under a harsh, glaring light. Mars is the backdrop, but is largely inconsequential -- its a stage for Bradbury to put our species on display. Even after the characters and events in these stories start to fade out of your mind, there is something about this work as whole that stays with you for years after reading it. This will be one of those books that you return to periodically at different stages in your life. Reading this now in my 20's was a very different experience from reading it as a 12 year old, and I'm sure reading it again in my 30's will bring an even deeper understanding. In its Hirsohima-inspired penultimate story, "There Will Come Soft Rains," Bradbury uses the 1920 poem by Sara Teasdale against a chilling backdrop of a silent post-fallout Earth, and these words sum up Bradbury's message here far better than I ever could. Rating: A There will come soft rains and the smell of the ground, And swallows circling with their shimmering sound; And frogs in the pools, singing at night, And wild plum trees in tremulous white, Robins will wear their feathery fire, Whistling their whims on a low fence-wire; And not one will know of the war, not one Will care at last when it is done. Not one would mind, neither bird nor tree, If mankind perished utterly; And Spring herself, when she woke at dawn, Would scarcely know that we were gone.

Sydney

true

The Martian Chronicles

5.0 1

100.0

ISBN: 9781451678192
ISBN-10: 1451678193
Audience: General
Format: Paperback
Language: English
Number Of Pages: 241
Published: 17th April 2012
Country of Publication: US
Dimensions (cm): 16.51 x 10.16  x 2.54
Weight (kg): 0.14

Earn 25 Qantas Points
on this Book