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When Papa LaBas (private eye, noonday HooDoo, and hero of Reed's Mumbo Jumbo) comes to Berkeley, California, to investigate the mysterious death of Ed Yellings, owner of the Solid Gumbo Works, he finds himself fighting the rising tide of violence propagated by Louisiana Red and those militant opportunists, the Moochers.
A HooDoo detective story and a comprehensive satire on the explosive politics of the '60s, The Last Days of Louisiana Red exposes the hypocrisy of contemporary American culture and race politics.
Funky, hip, and cool . . . The language is re-cycled garbage that sometimes, amazingly, becomes poetry and almost always is authentic, alive.
This is a very alive novel of living folklore; sometimes Reed's prose feels like walking through a field teeming with wild game which jumps out from under your feet.
Reed at his bravura best in the use of language and parody.
This novel disguised as a verbal comic strip is brilliant and funny.
A tangle of allusions, an allegorical puzzle that keeps the mind on its toes . . . Mr. Reed exercises in jokes and wisecracks, scholarship and satire. All of which makes for a frenetic form of vaudeville show.
Ishmael Reed has a shrewd eye, a mean ear, a nasty tongue . . . He attacks self-serving hypocrisy wherever he finds it . . . We may be horrified or amused or both. But we are too fascinated to go away.
Reed can hardly be accused of eye rolling and cakewalking for his supper. His angers and resentments are sheathed in intelligence, learning, scatological wit and showmanship. One thinks of Redd Foxx ...more before he was Sanfordized . . . Reed's approach to the novel is not unlike a Dixieland band's approach to music: a native American diversity that adds up to a unified style authentic and endlessly fresh.
For Ages: 22+ years old
Number Of Pages: 180
Published: 1st May 2000
Country of Publication: US
Dimensions (cm): 21.6 x 14.2 x 1.4
Weight (kg): 0.23