The first ever collection in English of Ice Age Poetry, drawn from the cave drawings and inscriptions at Lascaux, unpacking their meaning and resonance in the 21st Century.
This newest Carcanet Classic collects the oldest poetry yet discovered, as written down or runed in the Ice Age in Lascaux and other caves in the Dordogne, and now translated tentatively into English for the first time. The translation is at two removes, from French versions by the mysterious linguistic genius Jean-Luc Champerret, and then from the striking originals that retain such a sense of early human presence. Philip Terry mediates between the French and those hitherto inscrutable originals. Jean-Luc Champerret’s unique contribution to world literature is in his interpretation of the cave signs. And Philip Terry’s contribution is to have discovered and rendered this seminal, hitherto unsuspected work into English.
The translated poems are experiments, as the drawings may have been to the original cave poets composing them as image and sound. While archaeologists maintain that these signs are uninterpretable, Champerret assigns them meanings byanalogy, then in an inspired act of creative reading inserts them into the frequent 3 x 3 grids to be found at Lascaux. The results revelation of Ice-Age poetry are startling.
Terry provides context, sign-grids, and translations. He is adept at bringing up close poetry from languages and scripts remote in time.
About the Author
Philip Terry was born in Belfast, and is a poet and translator. His interests include the theory and practice of creative writing, particularly the work of Oulipo, experimental translation, and hybrid forms of writing and poetry. He has taught at the universities of Caen, Plymouth and Essex, where he established the Centre for Creative Writing. His books include Ovid Metamorphosed (2000) and Shakespeare’s Sonnets (2011), and the novel Tapestry (2013), which was shortlisted for the Goldsmiths Prize. Dante’s Inferno, which relocates Dante’s poem to current-day Essex, was published in 2014.
His poetry collection Quennets was published in 2016, and his re-imagining of Gilgamesh, Dictator, was published in 2018.