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The Films of Roberto Rossellini : Cambridge Film Classics - Peter Bondanella

The Films of Roberto Rossellini

Cambridge Film Classics

Paperback Published: 4th January 2000
ISBN: 9780521398664
Number Of Pages: 200

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The Films of Roberto Rossellini traces the career of one of the most influential Italian filmmakers through close analysis of the seven films that mark important turning points in his evolution: The Man with a Cross (1943), Open City (1945), Paisan (1946), The Machine to Kill Bad People (1948-52), Voyage in Italy (1953), General della Rovere(1959), and The Rise to Power of Louis XIV (1966). Beginning with Rossellini's work within the fascist cinema, it discusses his invention of neorealism, a new cinematic style that resulted in several classics during the immediate postwar period. Almost immediately, however, Rossellini's continually evolving style moved beyond mere social realism to reveal other aspects of the camera's gaze, as is apparent in the films he made with Ingrid Bergman during the 1950s; though unpopular, these works had a tremendous impact on the French New Wave critics and directors. Rossellini's late career marks a return to his nonrealist period, now critically reexamined, in such works as the commercially successful General della Rovere, and his eventual turn to the creation of didactic films for television.

"Bondanella's excellent addition to the 'Cambridge Film Classics' series provides an overview of the work of the originator of Italian neorealism...There is a real depth to Bondanella's analysis of Rossellini's ideology and to his discussion of innvovations in cinematic technique such as the 'Pancinor zoom.' Chronology, filmology, and bibliography as well as invaluable notes. An excellent introduction to Rossellini for undergraduate students of film, and the more advanced student or scholar should also benefit from the current bibliography and from some of the insightful analyses." Choice

Introduction
Rosselini and realism: the trajectory of a career
LÆuomo Dalla Croce: Rossellini and fascist cinema
Roma Cittá Aperta and the birth of Italian neorealism
Paisá and the rejection of traditional narrative cinema
La Macchina Ammazzacattivi: doubts about the movie camera as a morally redemptive force
Viaggio in Italia: Ingrid Bergman and a new cinema of psychological introspection
Il Generale Della Rovere: commercial success and a reconsideration of neorealism
La Prise de Pouvoir Par Louis XIV: toward a didatic cinema for television
Back matter
Footnaotes
Chronology
Filmography
Selected bibliography
Table of Contents provided by Publisher. All Rights Reserved.

ISBN: 9780521398664
ISBN-10: 0521398665
Series: Cambridge Film Classics
Audience: Professional
Format: Paperback
Language: English
Number Of Pages: 200
Published: 4th January 2000
Publisher: Cambridge University Press
Country of Publication: GB
Dimensions (cm): 22.8 x 15.2  x 1.2
Weight (kg): 0.3

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