The essential translation of the author's complete, uncensored diaries - revealing the idiosyncrasies and rough edges of one of the twentieth century's most influential writers
Dating from 1909 to 1923, Franz Kafka's Diaries contains a broad array of writing, including accounts of daily events, assorted reflections and observations, literary sketches, drafts of letters, records of dreams, and unrevised texts of stories. This volume makes available for the first time in English a comprehensive reconstruction of Kafka's handwritten diary entries and provides substantial new content, restoring all the material omitted from previous publications - notably, names of people and undisguised details about them, a number of literary writings, and passages of a sexual nature, some of them with homoerotic overtones.
By faithfully reproducing the diaries' distinctive - and often surprisingly unpolished - writing as it appeared in Kafka's notebooks, translator Ross Benjamin brings to light not only the author's use of the diaries for literary invention and unsparing self-examination but also their value as a work of genius in and of themselves.
About the Author
Franz Kafka (1883–1924) was born into a Jewish family in Prague. In 1906 he received a doctorate in jurisprudence, and for many years he worked a tedious job as a civil service lawyer investigating claims at the State Worker's Accident Insurance Institute. He never married, and published only a few slim volumes of stories during his lifetime. Meditation, a collection of sketches, appeared in 1912; The Stoker: A Fragment in 1913; Metamorphosis in 1915; The Judgement in 1916; In the Penal Colony in 1919; and A Country Doctor in 1920. The great novels were not published until after his death from tuberculosis: America, The Trial and The Castle.
Industry Reviews
Essential . . . The new volume, in a sensitive and briskly idiomatic translation by Ross Benjamin, offers revelation upon revelation. It’s an invaluable addition to Kafka’s oeuvre
— Dwight Garner, The New York Times
Momentous . . . Life also bursts into literature at the level of form, and in Kafka’s diaries even the words are acrobatic. As Ross Benjamin notes in the thoughtful introduction to his new translation, his aim is to capture the extent to which the diaries were a 'laboratory for Kafka’s literary production' and thereby catch the author 'in the act of writing.' He has succeeded. Everything in the diaries thrashes . . . [They] are the intimate incisions of an author who could write only by etching words into the flesh
— Becca Rothfield, The New Yorker
Benjamin, whose translation is the first complete and uncensored edition of the Diaries to be made available to an English readership . . . begins from scratch the whole business of restoring to the notebooks their 'provisionality, materiality, and mutability . . [His] aim is to give us the writer in his 'workshop,' blotting the page, changing his mind, running at a sentence a dozen times and still not getting it right
— Frances Wilson, The New York Review of Books
Readers will welcome this new edition of the Diaries, complete, uncensored, in a fluent translation by Ross Benjamin, and supplemented with 78 pages of invaluable notes, the fruit of half a century of Kafka scholarship
— J. M. Coetzee, author of Disgrace
This new and scrupulously faithful translation of the Diaries brings us, unembellished by theory, the true inner life of the twentieth century’s most complex and enigmatic literary prophet, whose very name has come to us as symbol and vision of innocent vulnerability in the face of irrational force
— Cynthia Ozick, author of Antiquities
Franz Kafka’s inner life has always been a bit of a mystery. The expurgated diaries in their original German and English versions hinted at his complicated, often confused relationship to sex, politics, illness, and being Jewish. This readable new translation of the complete German version of the diary transforms the silent Kafka of a century ago into a Kafka not only of his times but of ours
— Sander Gilman, author of Franz Kafka, The Jewish Patient
