Shortlisted for the Baileys Women's Prize for Fiction'Extraordinarily affecting' Alex Preston, Observer'This is a novel whose engine is flesh and blood, not cold ideas . . . Grant brings the 1950s - that odd, downbeat, fertile decade between war and sexual liberation - into sharp, bright, heartbreaking focus' - Christobel Kent
GuardianAll over Britain life is beginning again now the war is over but for Lenny and Miriam, East End London teenage twins who have been living on the edge of the law, life is suspended - they've contacted tuberculosis. It's away to the sanatorium - newly opened by the NHS - in deepest Kent for them where they will meet a very different world: among other patients, an aristocract, a young university grad, a mysterious German woman and an American merchant seaman with big ideas about love and rebellion. They are not the only ones whose lives will be changed forever.
'Grant is so good at conjuring up atmosphere and writes with earthy vivacity'- Anthony Gardner
Mail on Sunday'Read this fine, persuasive, moving novel and contemplate' John Sutherland,
The Times
About the Author
Linda Grant is a novelist and journalist. She won the Orange Prize for Fiction in 2000 and the Lettre Ulysses Prize for Literary Reportage in 2006, and was longlisted for the Man Booker in 2002 for Still Here.
The Clothes on Their Backs was shortlisted for the Man Booker in 2008 and went on to win the South Bank Show Award.
Industry Reviews
Exhilaratingly good . . . This is a novel whose engine is flesh and blood, not cold ideas . . . Grant brings the 1950s - that odd, downbeat, fertile decade between war and sexual liberation - into
sharp, bright, heartbreaking focus - Guardian
Contemporary issues linger ominously in Grant's margins, silently enriching what's already an
astonishingly good period piece - Independent
A rich, engaging novel, further proof that Grant can conjure up a special mood in a specific period with great humour - Sunday Telegraph
An
extraordinary depiction of the physical and emotional experience of illness. She
marvellously communicates the poignancy of youth and sexuality in the presence of impending death.
Grant's voice is unlike any other writer; so immediate and engaged even when writing historical fiction