Turn-of-the-century Paris was the beating heart of a rapidly changing world. But the City of Light was also a violent place. Criminals eagerly took advantage of the inventive nature of the age--the first getaway car, increasingly dangerous weapons, more creative disguises. The police battled back with a weapon of their own: Alphonse Bertillon, the world's greatest detective, the inventor of the mug shot and the crime-scene photo, and a brilliant innovator who pioneered the new science of criminal investigation. Then on August 21, 1911, came a crime like none other: Leonardo da Vinci's "Mona Lisa" was stolen from the Louvre. It was assumed that Bertillon would quickly solve the mystery and retrieve the painting. It would not be so simple.
In "The Crimes of Paris," Dorothy and Thomas Hoobler tell the gripping story of the theft and the investigation that followed. Bertillon and his associates would pursue clues leading them into the world of avant-garde artists, cheap apartments in Montmartre and Montparnasse, cabarets, and from this first great mystery into yet others. Their suspects would be everyone from the poet Guillaume Apollinaire to J. P. Morgan to Pablo Picasso. A vivid tapestry of Paris, daring thieves, and relentless investigators, "The Crimes of Paris" is a heart-pounding true-crime thriller of the highest order, as well as a brilliant account of the modern detective.
"Part fast-paced thriller and part social history, The Crimes of Paris is a book you can't put down. I found it to be irresistibly engrossing."-Michael Connelly * Michael Connelly *
"Set in the early 20th century against the theft of the Mona Lisa from the Louvre, The Crimes of Paris takes an evocative look at the darker side of the City of Light. An engrossing tale of a city vibrant with artists-even a young Picasso was involved in the theft-poets, anarchists, aristocratic and street thieves, belle epoque scandals, and the pioneers of crime detection. Delectable, compelling, and intriguing."-Cara Black, author of Murder in the Marais * Cara Black *
"[An] engrossing forensic history. . . . [Its] lively portraits . . . [and] anecdotes buzz with energy."-Washington Post * Washington Post *
"A thorough and at times disturbing view of turn-of-the-century Paris, and its crimes and passions. . . . Francophiles and true-crime lovers will find the book a fascinating read."-Minneapolis Star-Tribune * Minneapolis Star-Tribune *
"The theft of the Mona Lisa in 1911 brings on stage Vicdocq and Bertillon as scientific investigators, Apollinaire and Picasso as possible villains, as well as leading lights of the Belle Epoque in supporting roles as a worldwide investigation gets underway. It's high adventure throughout. The notes and bibliography alone are worth the price of the book."-Peter Skinner, ForeWord -- Peter Skinner * ForeWord *
TheftChapter One - The City of LightChapter Two - Searching for a WomanChapter Three - Sympathy for the DevilChapter Four - Science vs. CrimeChapter Five - The Man Who Measured PeopleChapter Six - The SuspectsChapter Seven - The Motor BanditsChapter Eight - The ThiefChapter Nine - Cherchez la FemmeChapter Ten - The Greatest CrimeAfterword - The MastermindAcknowledgmentsNotesBibliographyIndex
Number Of Pages: 400
Published: 1st October 2010
Publisher: University of Nebraska Press
Country of Publication: US
Dimensions (cm): 22.86 x 15.24
Weight (kg): 0.54