One day Frank’s wife Nellie takes the train back to England, with no explanation, leaving him with their three young children. Into his life comes Lisa Ivanovna, a country girl, untroubled to the point of seeming simple. But is she? And why has Frank’s accountant Selwyn, gone to such lengths to bring them together? And who is the passionate Volodya, who breaks into the press at night?
Frank sees, but only dimly, that he is a rational man in Moscow, a city where love, and friendship, power and politics, are at their most unfathomable.
'For the life of me I can't decide how properly to respond to this book. Whether it contains a latent moral or allegorical message, or whether it is simply a tour de force of craft and imagination I have not the faintest idea. I only know that it is one of the most skilful and utterly fascinating novels I have read for years. I cannot imagine any kind of reader who would not get a thrill from this gloriously peculiar book.' jan morris, Independent 'Penelope Fitzgerald has produced a real Russian comedy, at once crafty and scatty. She has mastered a city, a landscape and a vanished time. She has written something remarkable, part novel, part evocation, and done so in prose that never puts a foot wrong. She is so unostentatious a writer that she needs to be read several times. What is impressive is the calm confidence behind the apparent simplicity of utterance. The Beginning of Spring is her best novel to date.' anita brookner, Spectator 'Penelope Fitzgerald writes discreet, brief, perfect tales... Jane Austen's nearest heir.' A.S. BYATT 'There are twenty perfectly competent novelists at work in Britain today, but only a handful producing what one could plausibly call works of literature. Of this handful, Penelope Fitzgerald possesses what one can call the purest imagination.' Evening Standard
Number Of Pages: 256
Published: 1st August 2002
Publisher: HarperCollins Publishers
Country of Publication: GB
Dimensions (cm): 19.7 x 13.0 x 2.1
Weight (kg): 0.26