
The Ballet Companion
A Dancer's Guide to the Technique, Traditions, and Joys of Ballet
Hardcover | 1 October 2005 | Edition Number 1
At a Glance
352 Pages
2.9 x 24.5 x 19.6
Hardcover
RRP $49.99
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The Ballet Companion is a fresh, comprehensive, and thoroughly up-to-date reference book for the dancer. With 150 stunning photographs of ballet stars Maria Riccetto and Benjamin Millepied demonstrating perfect execution of positions and steps, this elegant volume brims with everything today's dance student needs, including:
- Practical advice for getting started, such as selecting a school, making the most of class, and studio etiquette
- Explanations of ballet fundamentals and major training systems
- An illustrated guide through ballet class -- warm-up, barre, and center floor
- Guidelines for safe, healthy dancing through a sensible diet, injury prevention, and cross-training with yoga and Pilates
- Descriptions of must-see ballets and glossaries of dance, music, and theater terms
- Along the way you'll find technique secrets from stars of American Ballet Theatre, lavishly illustrated sidebars on ballet history, and tips on everything from styling a ballet bun to stage makeup to performing the perfect pirouette.
Industry Reviews
‘This is the very book I would have loved to have discovered when I first started to study ballet.’- Allegra Kent, former Principal Dancer, New York City Ballet and author of Once a Dancer
‘Unique and comprehensive, this is a wonderful companion and guide for anybody who loves dance.’ - Edward Villella, former principal dancer, New York City Ballet and founding artistic director, Miami City Ballet
‘Eliza Gaynor Minden captures our imagination, taking us into the magical world of ballet.’ - David Howard, internationally acclaimed master teacher and coach
‘A superb reference book -- all the information today's students need but can't get just by taking class. Every dancer's library should have it.’ - Angel Corella, principal dancer, American Ballet Theatre
‘This book is a broad canvas of the history, elements, and components of dance. It is must reading for those who love dance and wish to explore its functions and derivation.’- Melissa Hayden, former principal dancer New York City Ballet, faculty, North Carolina School of the Arts
‘This comprehensive guide to the world of ballet is a must-have for all dance enthusiasts.’ - Gillian Murphy, Principal Dancer, American Ballet Theatre
‘A smorgasbord of information about the world of ballet!’ - Alexandra Ansanellli, Principal Dancer, New York City Ballet
‘This offers a wealth of information as well as being extremely interesting.’ - Mignon Furman, director, American Academy of Ballet
Acknowledgments | p. ix |
Introduction | p. xii |
To Be a Dancer | |
Getting Started | p. 3 |
Selecting a Ballet School | p. 3 |
Choosing Your Level of Commitment | p. 6 |
Ballet Moms and Dads: Sine Qua Non | p. 8 |
What to Expect of Class | p. 9 |
What Class Expects of You | p. 11 |
Getting the Most Out of Class | p. 15 |
When to Begin Pointework | p. 17 |
All That Jazz, Modern, and More | p. 21 |
Ballet at Any Age | p. 27 |
Getting Serious | p. 31 |
Backstage and Onstage | p. 31 |
Summer Intensives | p. 42 |
Auditions | p. 47 |
Advanced Classes: Partnering and Variations | p. 52 |
Men's Training | p. 56 |
Competitions | p. 59 |
The Curious Dancer | |
Studio Attire | p. 11 |
Ribbons and Elastics | p. 18 |
The Ballet Bun | p. 28 |
Stage Makeup | p. 37 |
Ballet's Courtly Origins | p. 46 |
Tour de Force | |
Catherine de Medici and Le Ballet Comique de la Reine | p. 14 |
Rebels, Rivals, and the "Shakespeare of Ballet" | p. 22 |
Louis XIV and the French Tradition | p. 40 |
Romanticism | p. 50 |
Extraordinary Partnership: Fonteyn and Nureyev | p. 58 |
Ballet Basics | |
Major Schools of Ballet | p. 63 |
The French School | p. 64 |
Bournonville (Denmark) | p. 65 |
Cecchetti (Italy) | p. 68 |
Royal Academy of Dance (England) | p. 68 |
Vaganova (Soviet Russia) | p. 70 |
Balanchine | p. 71 |
Fundamentals of Technique | p. 77 |
Alignment | p. 78 |
Lift | p. 79 |
Turnout | p. 80 |
Positions and Orientations | p. 85 |
Positions of the Feet | p. 86 |
Positions of the Arms | p. 88 |
Sur le Cou-de-Pied | p. 94 |
Passe or Retire | p. 97 |
Arabesques | p. 98 |
Attitude | p. 100 |
Orientations of the Body | p. 102 |
The Curious Dancer | |
Dance Notation | p. 66 |
Through the Ranks | p. 69 |
Tour de Force | |
Tutu Much: Ballet Costumes | p. 72 |
Bournonville and the Danish Tradition | p. 82 |
Ballet Blanc: The Corps de Ballet's Triumph | p. 92 |
Pas de Quatre (not Pas de Cinq) | p. 95 |
Livry's Shroud | p. 96 |
Ballet Class | |
Before Class | p. 107 |
Warm Up | p. 108 |
Stretch | p. 109 |
At the Barre | p. 121 |
Plie | p. 128 |
Releve | p. 130 |
Cambre | p. 132 |
Battement Tendu | p. 134 |
Rond de Jambe par Terre | p. 137 |
Fondu | p. 138 |
Battement Frappe | p. 140 |
Developpe | p. 142 |
Grand Rond de Jambe | p. 144 |
Petit Battement sur le Cou-de-Pied | p. 145 |
Rond de Jambe en l'Air | p. 146 |
Barre Stretches | p. 148 |
Grand Battement | p. 149 |
Center Floor | p. 153 |
Adagio/Adage | p. 154 |
Allegro: Petit and Grand | p. 158 |
Turns | p. 174 |
Reverence | p. 181 |
Musicality | p. 183 |
All About Pointe | p. 187 |
The Rise of the Ballerina | p. 187 |
How a Pointe Shoe Works | p. 188 |
How to Select and Fit Pointe Shoes | p. 192 |
Pointe Training and Technique | p. 198 |
The Curious Dancer | |
Pirouette Tips from the Pros | p. 178 |
Anatomy of a Pointe Shoe | p. 191 |
Foot Types | p. 194 |
Tour de Force | |
Pioneers of Pointe: Taglioni and Legnani | p. 118 |
Petipa and the Tsars' Ballet | p. 126 |
Pavlova | p. 136 |
Modern Dance | p. 150 |
Nijinsky | p. 182 |
"Astonish Me." Diaghilev, Fokine, and the Ballets Russes | p. 204 |
The Healthy Dancer | |
Respect Your Body; Dance Forever | p. 209 |
Eating Well to Dance Well | p. 209 |
Body Esteem: Dealing with the Mirror | p. 214 |
Eating Disorders | p. 215 |
Puberty and Dancing | p. 221 |
Anatomy Illustrated | p. 226 |
Injury Prevention | p. 231 |
Avoiding Burnout | p. 231 |
Ballet Injury "Hot Spots" | p. 232 |
Muscles-Pulls and Tears | p. 244 |
Anatomical Terms | p. 244 |
Daily Care For Dancing Feet | p. 245 |
If You Are Injured | p. 247 |
Cross Training | p. 253 |
Pilates | p. 253 |
Yoga | p. 255 |
Resistance Training | p. 260 |
Floor-Barre | p. 261 |
Gyrotonic | p. 262 |
Swimming | p. 263 |
The Curious Dancer | |
Ballet's Folk Dance Tradition | p. 223 |
Ballet on Broadway | p. 251 |
Mime | p. 252 |
Tour de Force | |
A Tale of Two Cities: The Kirov and the Bolshoi | p. 224 |
Balanchine, Kirstein, and New York City Ballet | p. 228 |
American Ballet Theatre | p. 242 |
Ashton, de Valois, and the Royal Ballet | p. 258 |
The Dance Boom of the '60s and '70s | p. 264 |
Ballet Literacy | |
Must-See Ballet | p. 269 |
The Curious Dancer | |
Must-See Ballet at a Glance | p. 290 |
Historical Time Line | p. 292 |
Glossaries | p. 299 |
Ballet Terms | p. 299 |
Music Terms | p. 310 |
Theater Terms | p. 312 |
Social Dances | p. 313 |
Dancer Slang | p. 314 |
Further Reading | p. 316 |
Resources | p. 318 |
Videos | p. 318 |
Organizations | p. 319 |
Magazines and Publications | p. 319 |
Index | p. 321 |
Table of Contents provided by Ingram. All Rights Reserved. |
ISBN: 9780743264075
ISBN-10: 074326407X
Published: 1st October 2005
Format: Hardcover
Language: English
Number of Pages: 352
Audience: General Adult
Publisher: Touchstone
Country of Publication: GB
Edition Number: 1
Dimensions (cm): 2.9 x 24.5 x 19.6
Weight (kg): 1.155
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