Named a Most Anticipated Book of 2021 by Thrillist, The Millions, Frieze, and Metropolis Japan
The first English-language publication of the work of Izumi Suzuki, a legend of Japanese science fiction and a countercultural icon
In a future where men are contained in ghettoised isolation, women enjoy the fruits of a queer matriarchal utopia—until a boy escapes and a young woman’s perception of the world is violently interrupted.
The last family in a desolate city struggles to approximate twentieth- century life on Earth, lifting what notions they can from 1960s popular culture. But beneath these badly learned behaviours lies an atavistic appetite for destruction.
Two new friends enjoy drinks on a holiday resort planet where all is not as it seems, and the air itself seems to carry a treacherously potent nostalgia.
Back on Earth, Emma’s not certain if her emotionally abusive, green-haired boyfriend is in fact an intergalactic alien spy, or if she’s been hitting the bottles and baggies too hard.
And in the title story, the tyranny of enforced screen-time and the mechanisation of labour foster a cold-hearted and ultimately tragic disaffection among the youth of Tokyo.
Nonchalantly hip and full of deranged prescience, Suzuki’s singular slant on speculative fiction would be echoed in countless later works, from Neuromancer to The Handmaid’s Tale. In these darkly playful and punky stories, the fantastical elements are always grounded in the universal pettiness of strife between the sexes, and the gritty reality of life on the lower rungs, whatever planet that ladder might be on.
About the Author
Izumi Suzuki was born in 1949. After dropping out of high school she worked in a factory before finding success and infamy as a model and actress. Her acting credits include both pink films and classics of 1970s Japanese cinema. When the father of her children, the jazz musician Kaoru Abe, died of an overdose, Suzuki’s creative output went into hyperdrive and she began producing the irreverent and punky short fiction, novels and essays that ensured her reputation would outstrip and outlast that of the men she had been associated with in her early career. She took her own life in 1986, leaving behind a decade’s worth of groundbreaking and influential writing.
