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Straight Lick : The Cinema of Oscar Micheaux - J. Ronald Green

Straight Lick

The Cinema of Oscar Micheaux

Hardcover Published: 22nd September 2000
ISBN: 9780253337535
Number Of Pages: 295
For Ages: 22+ years old

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A critical examination of the films of Oscar Micheaux.

One of the most original and successful filmmakers of all time, Oscar Micheaux was born into a rural, working-class, African-American family in mid-America in 1884, yet he created an impressive legacy in commercial cinema. Between 1913 and 1951 he wrote, directed, and distributed some forty-three feature films, more than any other black filmmaker in the world, a record of production that is likely to stand for a very long time.

Micheaux's work was founded upon the concern for class mobility, or uplift, for African Americans. Uplift provided the context for Micheaux's extensive commentary on racist cinema, such as D. W. Griffith's 1915 blockbuster, The Birth of a Nation, which Micheaux "answered" with his very early films Within Our Gates and Symbol of the Unconquered. Uplift explains Micheaux's use of "negative images" of African Americans as well as his multi-pronged campaign against stereotype and caricature in American culture. His campaign produced a body of films saturated with a nuanced intertexual "signifying," boldly and repeatedly treating controversial topics that face white censorship time after time, topics ranging from white mob and Klan violence to light-skin-color fetish to white financing of black cultural productions.

Industry Reviews

"Until recently the name Oscar Micheaux might have provoked the question Oscar who? But scholars have now begun to look at this pioneering African American moviemaker. This volume joins Betti Carol VanEpps-Taylor's biography Oscar Micheaux: Dakota Homesteader, Author, Pioneer Filmmaker (1998) and Pearl Bowser and Louise Spence's Writing Himself into History: Oscar Micheaux, His Silent Films, and His Audiences (CH, Mar'01), attesting to the intellectual rigor of this trend. Though Green's study is most in the mold of a literary critique, the paucity of Micheaux sources obligates all three authors to write as historians, cultural critics, anthropologists, and decoders. In the absence of script drafts, interoffice memos, gossip columns, memoirs, reviews, and handy prints of films--the stuff of mainstream cinema history--Green (Ohio State Univ.) sets up a critical landscape that allows the reader to sense the density of the culture out of which Micheaux's work arose while also citing sources of his own theoretical modeling. That said, any Micheaux film demands a great deal of creative dissection, which Green provides. He makes uncommonly good use of frame enlargements and stills and provides a thoughtful index and a thorough bibliography. For serious undergraduate students and scholars."

--T. Cripps "formerly, Morgan State University, 2001mar CHOICE. "

Acknowledgments
Introduction
Micheaux vs. Griffith
Micheaux's Class Position
Twoness and Micheaux's Style
Negative Images
The Middle Path
Middle-Class Cinema
White Financing
Stereotype and Caricature
Revising Caricature
Interrogating Caricature as Entertainment
Interrogating False Uplift
Passing and Film Style
Racial Loyalty
Micheaux and Cinema Today
On Class and the Classical
Filmography
Selections from the Black Press
Notes
Bibliography
Index
Table of Contents provided by Blackwell. All Rights Reserved.

ISBN: 9780253337535
ISBN-10: 0253337534
Audience: General
For Ages: 22+ years old
For Grades: 17+
Format: Hardcover
Language: English
Number Of Pages: 295
Published: 22nd September 2000
Publisher: INDIANA UNIV PR
Country of Publication: US
Dimensions (cm): 24.11 x 16.13  x 2.54
Weight (kg): 0.69

Earn 98 Qantas Points
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