From a leading cultural journalist, a definitive look at the rise of the female showrunner—and a new golden era of television.
Female writers, directors, and producers have radically transformed the television industry in recent years. Shonda Rhimes, Lena Dunham, Tina Fey, Amy Schumer, Mindy Kaling: These extraordinary women have shaken up the entertainment landscape, making it look like an equal opportunity dream factory.
But things weren't always this rosy. It took decades of determination in the face of preconceived ideas and outright prejudice to reach this new era. In this endlessly informative and wildly entertaining book, veteran journalist Joy Press tells the story of the maverick women who broke through the barricades, starting with Roseanne Barr (Roseanne) and Diane English (Murphy Brown), whose iconic shows redefined America’s idea of “family values” and incited controversy that reached as far as the White House.
Barr and English inspired the next generation of female TV writers and producers to carve out the creative space and executive power needed to present radically new representations of women on the small screen. Showrunners like Amy Sherman Palladino (Gilmore Girls), Jenji Kohan (Weeds, Orange Is the New Black), and Jill Soloway (Transparent) created characters and storylines that changed how women are seen and how they see themselves, in the process transforming the culture.
The Women in the Room is the perfect companion to such bestsellers as Mindy Kaling’s Is Everyone Hanging Out Without Me?, Tina Fey’s Bossypants, and Shonda Rhimes’ Year of Yes¸ not to mention Sheila Weller’s Girls Like Us and Rebecca Traister’s All the Single Ladies. Drawing on deep research and interviews with the key players, this is the exhilarating behind-the-scenes story of a truly groundbreaking revolution in television.
"Stealing the Show is a wildly entertaining and informative jaunt through the creative upheaval that's been taking place on TV screens over the past thirty years. Crucially, the book doesn't treat women's contributions to this awakening as a sideshow. Rather, Press's book is something of an alternate history of the modern TV era, a persuasive rebuke to the now-familiar story of the brilliant male showrunners and their brooding male characters who breathed new life into the medium and ushered it to the top of the cultural food chain."--Village Voice "Stealing the Show is informative and incredibly entertaining, and features insight from the very women who are continuing to make cracks in television's glass ceiling."--Bitch Media "Press gives television lovers an inspiring, eye-opening look into the way women are creating groundbreaking, original content."--Booklist "[Stealing the Show] is well-organized chronologically and is an absorbing read with some politics thrown in . . . . Highly recommended for those who enjoy reading about the entertainment industry, how their favorite TV shows are created, and women."--Library Journal (starred review) "[A] powerful narrative that expertly weaves reporting, analysis, and anecdotes . . . . Press's chronicle of a pop-culture movement should inspire a new generation of women creators." -- Publishers Weekly (starred review) "With a keen eye and a sharp writing style, [Press] presents the argument that, despite the limited power of TV and the current political backlash facing women, increased representation on-screen has the potential to inspire a cultural revolution . . . . An urgent and entertaining history of the transformative powers of women in TV."-- Kirkus Reviews (starred review) "Please read this book immediately. It is sharp, funny, and gorgeously researched, a satisfying blend of inside dirt and critical illumination. It also places female creativity on television exactly where it belongs: dead center in the cultural conversation."--Emily Nussbaum, television critic for The New Yorker Joy Press's Stealing the Show is essential reading for anyone interested in women gaining power, in how edgy storytelling comes to screens, and in brilliantly talented females taking the reins of a once-derided-as-secondary-to-movies medium during its current multi-platform explosion. It's a page-turner that - between emergency-amped-up feminism in the age of Trump and the digitalization of....well, everything - comes at a perfect time. Shonda, Lena, Jenji, Jill, et al are the hipster powerhouses driving a new bold, wacky, humane presentation of women's truths and images, many too-long hidden or too-long shamed. I relished their stories - and was inspired by them, too." --Sheila Weller, author of the New York Times bestseller Girls Like Us and The News Sorority "A roaring tour of women's professional, artistic, and political impact on television and on popular culture. By turns invigorating and sobering, Stealing the Show maps the progress of the expanded voice, vision, and reach of women on television and behind its scenes."--Rebecca Traister, New York Times bestselling author of All the Single Ladies and Big Girls Don't Cry