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216 Pages
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"The road is what the car drinks/traveling on its tongue of light/all the way home." With lines like these William Matthews has created a body of work that stands alone in American poetry. Witty, sophisticated, yet lucid, his poems bring the reader refreshing insights into the everyday world of sports, music, wine, psychology, homes, pets, love, children, and literature. In the course of a brilliant career Matthews has also translated poems from French, Latin, and Bulgarian. In this first selection culled from his complete body of work, readers who have never sampled Matthews's poetry, or who cannot find it in print, will be able to take the measure of one of our most versatile and original poets. Matthews characteristically watches "the lights come on/in the valley, like bright type/being set in another language." Illuminating and thoughtful, his poems speak the truth in a way that prompted Peter Stitt, one of our most respected critics, to write that "William Matthews may be the wisest poet of his generation." In writing about W.H. Auden, Matthews could be describing himself: "The language has used him/ well and passed him through./We get what he has collected." This book, which includes some previously uncollected poems and translations, also draws on nine previous volumes: Ruining the New Road, Sleek for the Long Flight, Sticks & Stones, Rising and Falling, Selected Translations from Jean Follain, Flood, A Happy Childhood (that astonishing collection of poems with titles from Freud), Foreseeable Futures, and Blues If You Want, as well as translations from Martial and contemporary Bulgarian poets. "Our true subject is loneliness," he writes. "We've been divorced 1.5 times/per heart." "But think/with your body: not to be dead is to be/sexual, vivid, tender and harsh, a riot/of mixed feelings, and able to choose."
Industry Reviews
| The Search Party | p. 3 |
| Blues for John Coltrane, Dead at 41 | p. 4 |
| Lust | p. 5 |
| Moving | p. 5 |
| School | p. 5 |
| Why We Are Truly a Nation | p. 6 |
| What You Need | p. 6 |
| Wehlener Sonnenuhr Auslese 1959 | p. 7 |
| On Cape Cod a Child Is Stolen | p. 7 |
| March Heat | p. 11 |
| The Cloud | p. 11 |
| Eternally Undismayed Are the Poolshooters | p. 15 |
| This Spud's for You | p. 17 |
| Driving Alongside the Housatonic River Alone on a Rainy April Night | p. 23 |
| Another Beer | p. 24 |
| The Cat | p. 25 |
| And So | p. 27 |
| The Visionary Picnic | p. 28 |
| Narcissus Blues | p. 29 |
| The Snake | p. 30 |
| The Portrait | p. 33 |
| The Waste Carpet | p. 33 |
| The Needle's Eye, the Lens | p. 41 |
| Lust Acts | p. 41 |
| Sleep | p. 42 |
| How Careful Fire Can Be | p. 42 |
| Spiritual Life | p. 43 |
| No True Rhyme in English for "Silver" | p. 43 |
| Dawn | p. 44 |
| Why I Didn't Notice It | p. 44 |
| Premature Ejaculation | p. 45 |
| The Past | p. 45 |
| Snow | p. 46 |
| Spring Snow | p. 49 |
| Moving Again | p. 50 |
| Living among the Dead | p. 51 |
| Left Hand Canyon | p. 53 |
| In Memory of the Utah Stars | p. 54 |
| Waking at Dusk from a Nap | p. 55 |
| Eyes: | p. 56 |
| Bud Powell, Paris, 1959 | p. 57 |
| Foul Shots: A Clinic | p. 57 |
| In Memory of W. H. Auden | p. 58 |
| The Icehouse, Pointe au Baril, Ontario | p. 60 |
| Long | p. 61 |
| On Easter Sunday ... | p. 65 |
| One day I suddenly notice ... | p. 65 |
| The fineness of things ... | p. 66 |
| She stops short at something ... | p. 66 |
| There are moments the child isn't drawn ... | p. 67 |
| The women washing dishes ... | p. 67 |
| Flies die on the sticky ribbon ... | p. 68 |
| There are those who would like ... | p. 68 |
| In 1880, hair counts a lot ... | p. 69 |
| Schoolchildren holding hands ... | p. 70 |
| People try to fight time ... | p. 70 |
| The women say ... | p. 70 |
| New | p. 75 |
| Housework | p. 75 |
| Bystanders | p. 76 |
| Twins | p. 78 |
| Good Company | p. 79 |
| Funeral Homes | p. 80 |
| Flood | p. 81 |
| Burglary | p. 85 |
| Pissing off the Back of the Boat into the Nivernais Canal | p. 87 |
| School Figures | p. 88 |
| The Penalty for Bigamy Is Two Wives | p. 89 |
| Nabokov's Death | p. 90 |
| On the Porch at the Frost Place, Franconia, NH | p. 91 |
| Good | p. 97 |
| The Interpretation of Dreams | p. 100 |
| Sympathetic | p. 102 |
| On a Diet | p. 103 |
| Whiplash | p. 103 |
| Bad | p. 105 |
| The Psychopathology of Everyday Life | p. 109 |
| Tardy | p. 110 |
| Loyal | p. 111 |
| A Happy Childhood | p. 112 |
| Civilization and Its Discontents | p. 118 |
| Masterful | p. 119 |
| Familial | p. 120 |
| Right | p. 121 |
| The Theme of the Three Caskets | p. 124 |
| The Hummer | p. 126 |
| Wrong | p. 127 |
| I, i (Here he is whom you read and clamor for,) | p. 133 |
| VIII, lxxvi ("Tell me the truth, Mark," you insist,) | p. 133 |
| X, xxxi (You sold a slave just yesterday) | p. 133 |
| V, xlv (You announce that you are beautiful) | p. 134 |
| V, xviii (Because in December when the gifts fly - ) | p. 134 |
| X, xlix (Although you fill amethyst cups) | p. 134 |
| VI, lxxxii (Someone we both know, Rufus, looked me) | p. 135 |
| VI, xxxvi (Papylus had a dong so long) | p. 135 |
| V, lvi (You wonder, Lupus, who's the best schoolmaster) | p. 135 |
| III, lxi ("It's nothing," whatever) | p. 136 |
| IX, xxi (Art and Cal have made a trade:) | p. 136 |
| X, lxx (The long year I squeezed out a tiny book,) | p. 136 |
| XII, lxix (The slave that Cinna's named his cook) | p. 137 |
| X, xci (Surrounded by eunuchs and limp as a tissue,) | p. 137 |
| XII, lvi (Ten times a year you're ill, Malingerus,) | p. 137 |
| XI, xciii (Ted's studio burnt down, with all his poems.) | p. 138 |
| VI, xii (That plush hair Fabulla wears?) | p. 138 |
| V, x (Why is it modern poets are ignored) | p. 138 |
| V, lxxxiii (You're hot to trot? Well then I'm not.) | p. 139 |
| XII, xl (You lie and I concur. You "give") | p. 139 |
| V, xx (Old friend, suppose luck grants to us) | p. 139 |
| Herd of Buffalo Crossing the Missouri on Ice | p. 143 |
| Men in Dark Suits | p. 143 |
| Fellow Oddballs | p. 144 |
| Photo of the Author with a Favorite Pig | p. 145 |
| The Accompanist | p. 145 |
| Scenic View | p. 147 |
| Dog Life | p. 147 |
| Writer-in-Residence | p. 148 |
| Minuscule Things | p. 149 |
| Hope | p. 149 |
| Recovery Room | p. 150 |
| Black Box | p. 151 |
| Schoolboys with Dog, Winter | p. 152 |
| Puberty | p. 153 |
| Blue Notes | p. 153 |
| Vasectomy | p. 154 |
| Vasil Sotirov: Human Hymn | p. 159 |
| Vasil Sotirov: You Dance Up There | p. 159 |
| Ussin Kerim: Recollections | p. 160 |
| Ussin Kerim: Untitled Poem | p. 161 |
| Ussin Kerim: I Long for a Horse | p. 161 |
| Ussin Kerim: Babahak | p. 162 |
| Ussin Kerim: Mother | p. 164 |
| Nabokov's Blues | p. 167 |
| 39,000 Feet | p. 169 |
| Change of Address | p. 171 |
| It Don't Mean a Thing if It Ain't Got That Swing | p. 171 |
| Housecooling | p. 175 |
| Homer's Seeing-Eye Dog | p. 176 |
| The Blues | p. 177 |
| Moonlight in Vermont | p. 178 |
| Every Tub | p. 179 |
| School Days | p. 181 |
| 107th and Amsterdam | p. 182 |
| Little Blue Nude | p. 182 |
| Onions | p. 186 |
| Straight Life | p. 187 |
| A Red Silk Blouse | p. 190 |
| Mood Indigo | p. 191 |
| Index | p. 193 |
| Table of Contents provided by Blackwell. All Rights Reserved. |
ISBN: 9780395669938
ISBN-10: 0395669936
Published: 12th August 1993
Format: Paperback
Language: English
Number of Pages: 216
Audience: General Adult
Publisher: HarperCollins
Country of Publication: US
Dimensions (cm): 22.86 x 15.88 x 1.91
Weight (kg): 0.34
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