The Edinburgh edition of Walter Scott's "Waverley" novels presents an edition for modern readers incorporating an essay on the text, an emendation list, explanatory notes and a glossary. This edition hopes to bring to its audience what the first readers might have been offered had the process of transmission from manuscript to print not been so hastily performed. The edition will be in 30 volumes, published at a rate of two or three a year. This volume presents "Saint Ronan's Well". Set in Scotland, at the beginning og the 19th century, Scott's story turns its back upon the wars waging on the world's stage and presents a regency comedy of humours. Meg Dodd, a sentimental virago, keeps a run-down inn in a derelict Tweedale village while the young Laird is living way beyond his means. When a nearby mineral spring becomes a spa, life changes as a post-office, a hotel and a troop of social climbers move in. In a climate of tantrums, black humour, theatricals, gaming and duels, the plot unfolds. This edition reveals Scott's intended ending.
In the original published version, in order to please the sensibilities of his publisher, Scott changed the plot to allow his heroine to die with her virtue intact. An essay on the text and explanatory notes are incorporated.
Industry Reviews
The Edinburgh Edition respects Scott the artist by 'restoring' versions of the novels that are not quite what his first readers saw. Indeed, it returns to manuscripts that the printers never handled, as Scott's fiction before 1827 was transcribed before it reached the printshop. Each volume of the Edinburgh edition presents an uncluttered text of one work, followed by an Essay on the Text by the editor of the work, a list of the emendations that have been made to the first edition, explanatory notes and a glossary! The editorial essays are histories of the respective texts. Some of them are almost 100 pages long; when they are put together they constitute a fascinating and lucid account of Scott's methods of composition and his financial manoeuvres. This edition is for anyone who takes Scott seriously. The Edinburgh Edition respects Scott the artist by 'restoring' versions of the novels that are not quite what his first readers saw. Indeed, it returns to manuscripts that the printers never handled, as Scott's fiction before 1827 was transcribed before it reached the printshop. Each volume of the Edinburgh edition presents an uncluttered text of one work, followed by an Essay on the Text by the editor of the work, a list of the emendations that have been made to the first edition, explanatory notes and a glossary! The editorial essays are histories of the respective texts. Some of them are almost 100 pages long; when they are put together they constitute a fascinating and lucid account of Scott's methods of composition and his financial manoeuvres. This edition is for anyone who takes Scott seriously.