Editorâs Introduction; Part I. Constructing the Latin American Audiovisual as an Object of Inquiry; Part I Introduction, Paula Halperin; 1. Historical Research on Brazilian Cinema: A Case Study and Contemporary Perspectives, Eduardo Victorio Morettin; 2. Georges Sadoul and the Historiography of Argentine Cinema (1952-1974), Rafael Morato Zanatto; 3. Television News Archives: Towards a Method for Historical Research, Fernando Seliprandy; 4. ¡Ya fue! Overcoming Androcentric Approaches to Latin American Cinema History, Isabel Segu and Lorena Best Urday; Part II. Transitions: From the Long 1960s to Re-Democratization; Part II Introduction, Paula Halperin; 5. Revolution and Unionism in Argentine Cinema. 1968-1976, Javier Campo; 6. New History and New Cinema. Political Debate and Rewriting of the Past in Mexican Cinema in the 1970s, Israel Rodriguez; 7. Thinking About the Past, Planning the Future: Brazilian Cinema's Journey Toward a New Democracy, Reinaldo Cardenuto; 8. Foreign Television and the Chilean Dictatorship: Between Institutionality and Clandestinity, Carolina Amaral de Aguiar; 9. Cuba in the 1980s: Through the Lens of Noticiero ICAIC Latinoamericano, Mariana Villa§a; 10. The Experience of the Documentary Filmmaker Carlos Echeverra in the Argentine Television Program Edici³n Plus, Paola Margulis; 11. Joaquim Pedro de Andradeâs Cinematic Writing of History, Luiz Ancona; 12. Uruguayan Fiction Film on Local Television in the late 1980s. Prospects and Challenges for National Audiovisual Production, Mariel Bal¡s; Part III. Circulation; Part III Introduction, Paula Halperin; 13. The Cinematheque of the Museum of Modern Art of Rio De Janeiro as a Cultural Insurgent. 1958 â" 1988, Fabi¡n Nº±ez; 14. A Key Figure: Walter Achugar and the New Latin American Cinema, Cecilia Lacruz and Mariano Mestman; 15. Prohibitions and Omissions. The Elusive Presence of Latin American Cinema in the Chile of Pinochet, Jorge Iturriaga; 16. Moments of Uncertainty: Cinemateca Uruguaya, the Democratic Transition, and the Latin American Turn,
Mariana Amieva; Part IV. National/Regional/Transnational; Part IV Introduction, Paula Halperin; 17. Landscapes of the Amazon and the Encounter with the Foreigner in Cinematic Narratives from the 1960s to the 1990s, Alexandre Busko Valim and Naiara Leonardo Araºjo; 18. Breaking the Concentration in Buenos Aires: 21st-Century Audiovisual Practices in Argentina's Provinces, Clara Kriger; 19. Notes on Contemporary Central American Cinema (2000-2025), Maria Lourdes Cort©s; Part V. Identities and Differences: Absent Images; Part V Introduction, Paula Halperin; 20. Recovering Filmmaker Jos© Rodrigues Cajado Filhoâs Trajectory in Brazilian Black Cinema, Noel dos Santos Carvalho; 21. Beyond the Map: Shadows of Dictatorship in Paraguayan Cinema and the Healing Poetics of Guapo'y, Andr©a C. Scansani; 22. Jorge Sanjin©s and the Ukamau Group Against Qâara History, Yanet Aguilera Viru©z Franklin de Matos; 23. Phantasmagoric Images of the Colonial Past in the Film A§ºcar by Renata Pinheiro and S©rgio Oliveira, Alberto da Silva;
Part VI. Collective Memory and the Writing of Historical Narratives on TV and Cinema; Part VI Introduction, Paula Halperin; 24. The âCivil-Militaryâ Question in Documentary Representations of the Memory of the Chilean Dictatorship, Ignacio del Valle-D¡vila; 25. History And Cultural Memory Under Debate: Television Representations of the Conquest of Mexico, lvaro V¡zquez Mantec³n; 26. National Identities in Historical Television Fiction: The Case of Gritos de Muerte y Libertad (2010), Adrien Charlois Allende; 27. The Audiovisual Expression of Brazilâs New Right: Tracing a Conservative Wave,
Marcos Napolitano; 28. Materialist Horror and Woman-Centered Narratives in Latin American Cinema: Medusa (2023) and The Bone Woman (2022), Jack Draper; 29. Manufacturing Violence in Colombian Cinema: Critical Constructions of Memory in Bad at Painting Figures, Juan Carlos Arias; 30. Narcos: Mexico. Narrative and Cultural Memory,
Janny Amaya Trujillo and Adrien Charlois Allende; 31. Between Love and Exile: Salvador Allende (Patricio Guzm¡n, 2004), Mara Aimaretti; Part VII. Cinema, Expanded Television, and Digital Communities: Dialogues and Circulation; Part VII Introduction, Paula Halperin; 32. Models and General Principles of Alternative Television in Argentina and Chile, Natalia Vinelli; 33. Religion Making Media Culture: The Confluence of television, the internet, and religion in contemporary Brazil, Cacilda Rªgo; 34. The Practice of Audiovisual Democracy in the Wambra Digital Community Media Outlet (Ecuador), Miguel Alfonso Bouhaben; 35. The digitization of Television Images in the Twenty-First Century: Principles of a Technological History of TV Globoâs Telenovelas (Brazil), Marina Tedesco Cavalcanti; 36. Streaming the Nation: Telenovelas and the Reimagining of Brazil on Digital Platforms, Rachel Fabian and Paula Halperin
